<?xml version="1.0" encoding="UTF-8"?>
<OAI-PMH xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd" xmlns="http://www.openarchives.org/OAI/2.0/"><responseDate>2026-08-26T21:24:25Z</responseDate><request metadataPrefix="oai_dc" verb="ListRecords">https://glam.asiana.net/oai/</request><ListRecords><record><header><identifier>oai:glam.asiana.net:core/2</identifier><datestamp>2025-05-12T15:56:44Z</datestamp><setSpec>country:philippines</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Spain and the Philippines</dc:title><dc:creator>Juan Luna</dc:creator><dc:description>A painting that compares the relationship between Spain and the Philippines through the image of two young women.</dc:description><dc:language>-</dc:language><dc:type>Painting</dc:type><dc:format>oil on canvas</dc:format><dc:identifier>NGS-A002</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Philippines</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/juan-luna/2014/2014-00293.tif.html?search=Espa%C3%B1a%20y%20Filipinas%20(Spain%20and%20the%20Philippines)</dc:source><dc:alternative>España y Filipinas</dc:alternative><dc:date>1886</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/5</identifier><datestamp>2025-05-12T16:07:30Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Orang Irian dengan Burung Tjenderawasih (Irian Man with Bird of Paradise)</dc:title><dc:creator>Emiria Sunassa</dc:creator><dc:description>Image of an indigenous man from Papua New Guinea with a bird of paradise. Reflecting the beauty of native culture and nature</dc:description><dc:language>none</dc:language><dc:type>Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A005</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/emiria-sunassa/2017/2017-00236(1).jpg.html</dc:source><dc:alternative>Irian and Cenderawasih people</dc:alternative><dc:date>circa 1950</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/1</identifier><datestamp>2025-05-14T08:49:26Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Boschbrand (Forest Fire)</dc:title><dc:creator>Raden Saleh</dc:creator><dc:description>This oil painting depicting a forest fire is known as a masterpiece of natures chaos and romantic spirit.</dc:description><dc:language>not specified</dc:language><dc:type>Painting</dc:type><dc:format>oil on canvas</dc:format><dc:identifier>NGS-A001</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/raden-saleh/2014/2014-00321_NGS.tif.html</dc:source><dc:alternative>Boschbrand</dc:alternative><dc:date>1849</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/3</identifier><datestamp>2025-05-14T08:57:12Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title> Landscape of Vietnam</dc:title><dc:creator>Nguyen Gia Tri</dc:creator><dc:description>Paintings using lacquer and gilding techniques in the style of Vietnamese painting. Depicting the natural scenery of Vietnam</dc:description><dc:language>-</dc:language><dc:type>Painting</dc:type><dc:format> lacquer painting</dc:format><dc:identifier>NGS-A003</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/nguyen-gia-tri/2000/2000-05908%20(cropped).jpg.html?search=Landscape%20of%20Vietnam</dc:source><dc:alternative>Vietnamese landscape</dc:alternative><dc:date>1940</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/4</identifier><datestamp>2025-05-14T08:57:36Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Young Girl in White</dc:title><dc:creator>Le Pho</dc:creator><dc:description>Image of a young woman in clean white clothing that represents purity and tranquility. The artistic elements are influenced by both Western and Eastern influences.</dc:description><dc:language>none</dc:language><dc:type>Painting</dc:type><dc:format>Oil on silk</dc:format><dc:identifier>NGS-A004</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/le-pho/2023/2023-00424.tif.html</dc:source><dc:alternative>Young girl wearing white shirt</dc:alternative><dc:date>1938</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/76</identifier><datestamp>2025-08-06T02:26:19Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:sculpture</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Golden Boy (Standing Shiva)</dc:title><dc:creator>Unknown</dc:creator><dc:description>A gilt-bronze statue believed to represent the Hindu god Shiva or a Khmer king, dating back to the 11th century. The statue is approximately 4 feet tall and reflects Khmer art during the early Angkor period.</dc:description><dc:language>None</dc:language><dc:type>Sculpture</dc:type><dc:format>Gilt-bronze</dc:format><dc:identifier>N/A</dc:identifier><dc:rights>Public domain</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://time.com/6980550/thailand-golden-boy-met-looted-artifacts-return/</dc:source><dc:alternative>Standing Shiva Bronze Statue</dc:alternative><dc:date>circa 11th century (c. 1000–1100 CE)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/77</identifier><datestamp>2025-08-06T02:40:58Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:sculpture</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Kneeling Lady (Kneeling Female Statue)</dc:title><dc:creator>Unknown</dc:creator><dc:description>A 43 cm tall bronze sculpture of a kneeling woman with hands raised above her head in a Thai greeting posture. Inlaid with silver and traces of gold; brows and pupils originally inlaid, possibly with black glass</dc:description><dc:language>None</dc:language><dc:type>Sculpture</dc:type><dc:format>Bronze with silver and gold inlay</dc:format><dc:identifier>N/A</dc:identifier><dc:rights>Public domain (ancient artifact)</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.metmuseum.org/art/collection/search/39096</dc:source><dc:alternative>Bronze Kneeling Female Figure</dc:alternative><dc:date>circa 11th century (~900–1000 CE)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/78</identifier><datestamp>2025-08-06T03:28:15Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:antique-collection</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Tang Shipwreck Collection</dc:title><dc:creator>Unknown</dc:creator><dc:description>A cargo recovery of some 60,000–70,000 Tang Dynasty objects including hand‑painted ceramics, gold and silver vessels, bronze mirrors, and trade goods from a 9th‑century Arab dhow wrecked off Belitung Island, Indonesia </dc:description><dc:language>Chinese (origin of items; not textual artifacts)</dc:language><dc:type>Antique collection</dc:type><dc:format>Ceramics (stoneware), gold and silver artifacts</dc:format><dc:identifier>N/A</dc:identifier><dc:rights>Public domain (ancient artifacts)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nhb.gov.sg/acm/galleries/maritime-trade/tang-shipwreck</dc:source><dc:alternative>Pottery and gold objects from a Tang Dynasty shipwreck</dc:alternative><dc:date>circa 9th century CE (Tang Dynasty, ca. 830s)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/79</identifier><datestamp>2025-08-06T05:43:42Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:statue</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Statue of Raden Wijaya as Harihara</dc:title><dc:creator>Unknown</dc:creator><dc:description>A stone statue representing the deified image of Raden Wijaya, the first king of Majapahit, as Harihara—a fusion deity of Shiva and Vishnu. Found in Simping Temple, Blitar.</dc:description><dc:language>None</dc:language><dc:type>Statue</dc:type><dc:format>Stone</dc:format><dc:identifier>Possibly 103a/256 (museum inventory)</dc:identifier><dc:rights>Public domain (ancient artifact)</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/Raden_Wijaya#:~:text=Statue%20of%20Harihara%2C%20a%20combination,National%20Museum%20of%20Indonesia%2C%20Jakarta.</dc:source><dc:alternative>Statue of the King of the Majapahit Kingdom</dc:alternative><dc:date>circa 14th century CE (Majapahit period)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/80</identifier><datestamp>2025-08-06T07:29:30Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:ancient-poetic-manuscript</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Negarakretagama Manuscript</dc:title><dc:creator>Mpu Prapañca (author, 1365 CE)</dc:creator><dc:description>An Old Javanese kakawin (poetic eulogy) detailing the reign of Maharaja Hayam Wuruk and describing temples, ceremonies, territories, and social order of the Majapahit Empire at its height</dc:description><dc:language>Old Javanese (Kawi)</dc:language><dc:type>Ancient poetic manuscript</dc:type><dc:format>Palm-leaf manuscript (lontar)</dc:format><dc:identifier>Inventory code NB 9 at National Library of Indonesia; formerly Leiden University code L Or 5.023</dc:identifier><dc:rights>Public domain (over six centuries old)</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://commons.wikimedia.org/wiki/File:Nagarakretagama_of_Indonesian_14th_century_Majapahit_manuscript.jpg</dc:source><dc:alternative>Ancient manuscripts about the Majapahit Kingdom (Kakawin Nāgarakṛtāgama)</dc:alternative><dc:date>1365 CE (Saka year 1287) </dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/26</identifier><datestamp>2025-08-07T06:06:31Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:book</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Gift of a Generation</dc:title><dc:creator>Singapore Memory Project</dc:creator><dc:description>A commemorative book capturing stories and photographs of hands representing personal histories of Singaporeans.</dc:description><dc:language>English</dc:language><dc:type>Book</dc:type><dc:format>Print</dc:format><dc:identifier>ISBN 9789814516563</dc:identifier><dc:rights>National Library Board Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/book-detail?cmsuuid=ef69a434-e514-4bb8-94e5-19375d3729d6</dc:source><dc:alternative>HANDS</dc:alternative><dc:date>2013</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/27</identifier><datestamp>2025-08-07T06:33:35Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:book</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Rare Materials Collection: Selections from the National Library</dc:title><dc:creator>National Library Board</dc:creator><dc:description>A curated volume showcasing selected items from the Rare Materials Collection held at the National Library Singapore. It highlights rare books, manuscripts, maps, photographs, and other historically significant documents related to Singapore and Southeast Asia.</dc:description><dc:language>English</dc:language><dc:type>Book</dc:type><dc:format>Print</dc:format><dc:identifier>ISBN 9810562225</dc:identifier><dc:rights>National Library Board</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/about-us/press-room-and-publications/Our-Bookshelf/the-rare-materials-collection</dc:source><dc:alternative>Rare Materials Collection</dc:alternative><dc:date>2006</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/28</identifier><datestamp>2025-08-07T08:07:07Z</datestamp><setSpec>country:united-states</setSpec><setSpec>type:book</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>They Both Die at the End</dc:title><dc:creator>Adam Silvera</dc:creator><dc:description>On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them bad news: they going to die today. Mateo and Rufus are total strangers, but, for different reasons, they both looking to make a new friend on their End Day.</dc:description><dc:language>English</dc:language><dc:type>Book</dc:type><dc:format>eBook / eAudiobook</dc:format><dc:identifier>ISBN 9780062457790</dc:identifier><dc:rights>HarperCollins Publishers</dc:rights><dc:coverage>United States</dc:coverage><dc:source>https://catalogue.nlb.gov.sg/search/card?recordId=203856836</dc:source><dc:alternative>They Both Die at the End</dc:alternative><dc:date> 2017</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/29</identifier><datestamp>2025-08-08T03:58:57Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>If We Dream Too Long</dc:title><dc:creator>Goh Poh Seng</dc:creator><dc:description>Widely considered the first true Singaporean novel in English, If We Dream Too Long follows the life of Kwang Meng, a recent graduate drifting through work, relationships, and existential questions in 1970s Singapore. The novel provides deep insight into post-independence society, identity, and alienation.</dc:description><dc:language>English</dc:language><dc:type>Novel</dc:type><dc:format>Print / eBook</dc:format><dc:identifier>ISBN 9971003041</dc:identifier><dc:rights>NUS Press (latest editions)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://catalogue.nlb.gov.sg/search/card?id=d0bd29f6-3221-5f3b-97ef-9df52b6c347e&amp;entityType=FormatGroup</dc:source><dc:alternative>If We Dream Too Long</dc:alternative><dc:date>1972</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/52</identifier><datestamp>2025-08-13T03:12:43Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:official-legal-document-royal-decrees-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Royal Decrees of King Chulalongkorn</dc:title><dc:creator>King Chulalongkorn (Rama V)</dc:creator><dc:description>Legal and administrative reforms issued by King Chulalongkorn that reshaped Siam institutional structure, including the creation of modern ministries, abolition of archaic systems like torture and corvée, establishment of formal revenue and administrative bodies, centralization of authority, and initiation of legal modernization.</dc:description><dc:language>Thai (Classical/Rattanakosin-era style)</dc:language><dc:type>Official legal document (Royal Decrees)</dc:type><dc:format>Gazette print / PDF (archived)</dc:format><dc:identifier>Various issues of Royal Thai Government Gazette (Ratchakitcha) during 1868–1910</dc:identifier><dc:rights>Government of Thailand (public domain for older editions)</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.car.chula.ac.th/display7.php?bib=b1499002</dc:source><dc:alternative>พระบรมราชโองการ รัชกาลที่ 5</dc:alternative><dc:date>1868–1910 (During reign of King Chulalongkorn)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/53</identifier><datestamp>2025-08-14T03:19:11Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:daily-newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Lat Pau</dc:title><dc:creator>See Ewe Lay</dc:creator><dc:description>The first Chinese daily newspaper in Southeast Asia, Lat Pau carried local and foreign news—translated articles from Hong Kong, Shanghai, local English press—and official notices from Straits Settlements and Dutch governments. It evolved into afternoon paper and maintained a strong editorial presence backed by editor Yeh Chi‑Yun.</dc:description><dc:language>Classical Chinese (switched to Vernacular Chinese in 1925)</dc:language><dc:type>Daily newspaper</dc:type><dc:format>Print broadsheet, often single-sheet in early years</dc:format><dc:identifier>Specific issues—e.g., 1929-11-13, 1930-08-14—archived as </dc:identifier><dc:rights>Public domain (published before 100 years ago)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/article-detail?cmsuuid=fe1dc6b1-3a83-4b08-9b4d-5a8759ce163f</dc:source><dc:alternative>叻報</dc:alternative><dc:date>1881</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/54</identifier><datestamp>2025-08-15T08:30:16Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:meeting-minutes-inter-agency-reports</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the meeting of the Coordinating Committee for Services for Displaced Persons in Thailand (CCSDPT Reports)</dc:title><dc:creator>CCSDPT (Inter-agency coordinating committee)</dc:creator><dc:description>Regular minutes documenting coordination meetings among NGOs, UN agencies, and Government of Thailand officials regarding services and policy for displaced persons/refugees at the Thailand–Myanmar border.</dc:description><dc:language>English</dc:language><dc:type>Meeting minutes / Inter-agency reports</dc:type><dc:format>Textual minutes, published as PDF or printed memos (archival)</dc:format><dc:identifier>ccsdpt-th-1980</dc:identifier><dc:rights>CC BY-NC-SA 4.0</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://gayther.care/migrants/ccsdpt-thailand/</dc:source><dc:alternative>บันทึกการประชุม คณะกรรมการประสานงานเพื่อการช่วยเหลือผู้พลัดถิ่นในประเทศไทย</dc:alternative><dc:date>Circulating since around 1975 (committee established then) </dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/55</identifier><datestamp>2025-08-20T07:19:48Z</datestamp><setSpec>country:france</setSpec><setSpec>type:periodical-newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>LIllustration – Le Roi et la Reine de Siam</dc:title><dc:creator>Fortune Louis Meaulle, Henri Meyer (illustrators)</dc:creator><dc:description>Illustrated article showcasing the King and Queen of Siam during a period of growing international interest in the Kingdom of Siam.</dc:description><dc:language>French</dc:language><dc:type>Periodical / Newspaper</dc:type><dc:format>Print / Lithograph Illustration</dc:format><dc:identifier>LIllustration, No. 2618 (10 Juin 1893)</dc:identifier><dc:rights>Public Domain</dc:rights><dc:coverage>France</dc:coverage><dc:source>https://www.meisterdrucke.us/fine-art-prints/Fortune-Louis-Meaulle-and-Henri-Meyer/75918/The-King-and-Queen-of-Siam,-Illustration-from-%27Le-Petit-Journal%27,-10th-June-1893.html</dc:source><dc:alternative>LIllustration – Le Roi et la Reine de Siam</dc:alternative><dc:date>10 June 1893</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/56</identifier><datestamp>2025-08-20T07:53:39Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:anthology-of-royal-literary-works</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Royal Writings of King Vajiravudh</dc:title><dc:creator>King Vajiravudh (Rama VI)</dc:creator><dc:description>A diverse collection of royal writings including plays, poems, fiction, speeches, royal directives, royal addresses, translations, and essays, reflecting nationalistic, literary, and administrative themes</dc:description><dc:language>Thai, English, and French</dc:language><dc:type>Anthology of royal literary works</dc:type><dc:format>Print volumes</dc:format><dc:identifier>Rare book listings under call number 013.351 ศ528พ (Fine Arts Department bibliography)</dc:identifier><dc:rights>Public domain for original writings (over 70 years)</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://en.wikipedia.org/wiki/Works_of_Vajiravudh</dc:source><dc:alternative>พระราชนิพนธ์ในพระบาทสมเด็จพระมงกุฎเกล้าเจ้าอยู่หัว</dc:alternative><dc:date>1900 - 1925</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/57</identifier><datestamp>2025-08-21T03:02:40Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:literary-and-historical-royal-writings</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Royal Writings of King Chulalongkorn</dc:title><dc:creator>His Majesty King Chulalongkorn</dc:creator><dc:description>A compilation of literary and personal writings—including letters, essays, poems, travel journals (e.g., Chosen from Germany), royal directives, and speeches—by King Chulalongkorn, providing insights into his thoughts, travels, and modernization efforts</dc:description><dc:language>Thai</dc:language><dc:type>Literary and historical royal writings</dc:type><dc:format>Printed book volumes</dc:format><dc:identifier>Examples include “ไกลบ้าน เล่ม 1–2” with own ISBNs (e.g., ISBN 9786164370203) </dc:identifier><dc:rights>Public domain (written over 70 years ago)</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.finearts.go.th/promotion/view/21076-%E0%B9%84%E0%B8%81%E0%B8%A5%E0%B8%9A%E0%B9%89%E0%B8%B2%E0%B8%99-%E0%B9%80%E0%B8%A5%E0%B9%88%E0%B8%A1-1-2-%E0%B8%9E%E0%B8%A3%E0%B8%B0%E0%B8%A3%E0%B8%B2%E0%B8%8A%E0%B8%99%E0%B8%B4%E0%B8%9E%E0%B8%99%E0%B8%98%E0%B9%8C%E0%B9%83%E0%B8%99%E0%B8%9E%E0%B8%A3%E0%B8%B0%E0%B8%9A%E0%B8%B2%E0%B8%97%E0%B8%AA%E0%B8%A1%E0%B9%80%E0%B8%94%E0%B9%87%E0%B8%88%E0%B8%9E%E0%B8%A3%E0%B8%B0%E0%B8%88%E0%B8%B8%E0%B8%A5%E0%B8%88%E0%B8%AD%E0%B8%A1%E0%B9%80%E0%B8%81%E0%B8%A5%E0%B9%89%E0%B8%B2%E0%B9%80%E0%B8%88%E0%B9%89%E0%B8%B2%E0%B8%AD%E0%B8%A2%E0%B8%B9%E0%B9%88%E0%B8%AB%E0%B8%B1%E0%B8%A7-part-1</dc:source><dc:alternative>พระราชนิพนธ์ในพระบาทสมเด็จพระจุลจอมเกล้าเจ้าอยู่หัว</dc:alternative><dc:date>Late 19th to early 20th century (Rama V’s reign: 1868–1910)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/58</identifier><datestamp>2025-08-21T03:55:00Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:memorial-commemorative-publication</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>A book commemorating the funeral of an important person in Thai history.</dc:title><dc:creator>family and funeral organizers</dc:creator><dc:description>Commemorative books distributed at funerals containing biography of the deceased, religious texts, essays, literary content, recipes, eulogies, and historical documents</dc:description><dc:language>Thai (with Pali and literary inserts)</dc:language><dc:type>Memorial / Commemorative publication</dc:type><dc:format> Printed booklet or book, sometimes leporello or folded format</dc:format><dc:identifier>Varies per volume; collected via repository identifiers (e.g., WBB volumes, digital archive entries</dc:identifier><dc:rights>Content mostly public domain if public domain text; biographies may be restricted</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://u-parl.lib.u-tokyo.ac.jp/english/column1</dc:source><dc:alternative>หนังสืออนุสรณ์งานศพ (nangsue ngaan-sop)</dc:alternative><dc:date>Since late 19th century (first known: Queen Sunandha &amp; Princess’s cremation book, 1881)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/59</identifier><datestamp>2025-08-21T06:21:44Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Straits Times newspaper, 1945 edition</dc:title><dc:creator>Singapore Press Holdings</dc:creator><dc:description>Singapore English-language newspaper issue covering post-World War II news, notably the Japanese surrender.</dc:description><dc:language>English</dc:language><dc:type>Newspaper</dc:type><dc:format>Print (Digitised)</dc:format><dc:identifier>https://eresources.nlb.gov.sg/newspapers/Digitised/Issue/straitstimes19450905-1.aspx</dc:identifier><dc:rights>National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.roots.gov.sg/Collection-Landing/listing/1443647</dc:source><dc:alternative>ST</dc:alternative><dc:date>5 September 1945</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/60</identifier><datestamp>2025-08-21T07:28:25Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:government-intergovernmental-organization-report</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Report of the 1st ASEAN Meeting, 1967</dc:title><dc:creator>Ministry of Foreign Affairs of Thailand</dc:creator><dc:description>Official account of the inaugural ASEAN foreign ministers’ meeting, including the signing of the Bangkok Declaration establishing ASEAN.</dc:description><dc:language>English (and potentially member-state languages)</dc:language><dc:type>Government / Intergovernmental Organization Report</dc:type><dc:format>Printed report, possibly bound booklet or PDF</dc:format><dc:identifier>Likely cataloged by ASEAN Secretariat or national archives; e.g., “1st ASEAN Ministerial Meeting Rep</dc:identifier><dc:rights>ASEAN Secretariat; permissions required for reproduction</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://en.wikipedia.org/wiki/ASEAN_Declaration</dc:source><dc:alternative>รายงานการประชุมอาเซียนครั้งที่ 1</dc:alternative><dc:date>1967 (Meeting held 5–8 สิงหาคม 1967)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/61</identifier><datestamp>2025-08-22T02:36:13Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Jakarta Post newspaper, 1998 edition</dc:title><dc:creator>PT Bina Media Tenggara</dc:creator><dc:description>English‑language daily newspaper covering key events in Indonesia in 1998, including the Reformasi period initiated by Suharto’s resignation</dc:description><dc:language>English</dc:language><dc:type>Newspaper</dc:type><dc:format>Broadsheet print, also available in digital archives</dc:format><dc:identifier>ISSN 0215‑3432</dc:identifier><dc:rights>The Jakarta Post; usage restricted to licensed or educational purposes</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Jakarta_Post</dc:source><dc:alternative>The Jakarta Post</dc:alternative><dc:date>1998</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/62</identifier><datestamp>2025-08-22T03:25:19Z</datestamp><setSpec>country:malaysia</setSpec><setSpec>type:government-record-parliamentary-proceedings</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the Malaysian House of Representatives Meeting, 1970</dc:title><dc:creator>Malaysian Parliament</dc:creator><dc:description>Official parliamentary minutes documenting legislative debates, proceedings, and decisions of the Malaysian House of Representatives (Dewan Rakyat) during the year 1970.</dc:description><dc:language>Malay, English</dc:language><dc:type>Government Record / Parliamentary Proceedings</dc:type><dc:format>Textual Document (Bound Volume / PDF Digitized Copy)</dc:format><dc:identifier>MY-PARLIAMENT-1970-MINUTES</dc:identifier><dc:rights>Government of Malaysia</dc:rights><dc:coverage>Malaysia</dc:coverage><dc:source>https://www.parlimen.gov.my/</dc:source><dc:alternative>Penyata Mesyuarat Dewan Rakyat Malaysia, 1970</dc:alternative><dc:date>Malaysian House of Representatives (Dewan Rakyat)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/63</identifier><datestamp>2025-08-22T06:58:36Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:newspaper-print-media</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Phnom Penh Post newspaper, 1993 edition  Countries: Cambodia</dc:title><dc:creator>The Phnom Penh Post</dc:creator><dc:description>Early edition of The Phnom Penh Post, Cambodia’s oldest English-language independent newspaper, reporting on politics, society, and international affairs during the post-UNTAC transition to democracy in 1993.</dc:description><dc:language>English, Khmer</dc:language><dc:type>Newspaper / Print Media</dc:type><dc:format>Print / Digitized (PDF, Microfilm)</dc:format><dc:identifier>KH-PPP-1993-EDITION</dc:identifier><dc:rights>Phnom Penh Post Publishing</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.phnompenhpost.com/</dc:source><dc:alternative>សារព័ត៌មាន ភ្នំពេញ ប៉ុស្តិ៍ (Phnom Penh Post)</dc:alternative><dc:date>1993</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/64</identifier><datestamp>2025-08-22T07:08:31Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:government-record-parliamentary-proceedings</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the meeting of the Vietnamese House of Representatives, year 1986  Countries: Vietnam</dc:title><dc:creator>Vietnam Parliament</dc:creator><dc:description>Official record of the Vietnamese House of Representatives proceedings in 1986, documenting legislative discussions, policy decisions, and debates during a period of major national reforms (Đổi Mới).</dc:description><dc:language>Vietnamese</dc:language><dc:type>Government Record / Parliamentary Proceedings</dc:type><dc:format>Textual Document (Print / Digitized PDF)</dc:format><dc:identifier>VN-NATL-ASSMB-1986-MINUTES</dc:identifier><dc:rights>Government of the Socialist Republic of Vietnam</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://quochoi.vn/Pages/default.aspx</dc:source><dc:alternative>Biên bản cuộc họp Quốc hội Việt Nam, năm 1986</dc:alternative><dc:date>1986</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/65</identifier><datestamp>2025-08-22T07:58:48Z</datestamp><setSpec>country:laos</setSpec><setSpec>type:newspaper-print-media</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Vientiane Times newspaper, 2000 edition  Countries: Laos</dc:title><dc:creator>Lao Press in Foreign Languages</dc:creator><dc:description>English-language newspaper published in Vientiane; issues from 2000 cover domestic affairs, ASEAN/regional news, economy, and policy updates during Laos’ early 2000s reform and integration period.</dc:description><dc:language>English, Lao</dc:language><dc:type>Newspaper / Print Media</dc:type><dc:format>Print (Digitised PDF, Microfilm)</dc:format><dc:identifier>LA-VT-2000-[issue/vol-no]</dc:identifier><dc:rights>Vientiane Times / Lao Press in Foreign Languages</dc:rights><dc:coverage>Laos</dc:coverage><dc:source>https://www.vientianetimes.org.la/</dc:source><dc:alternative>ວຽງຈັນໄທມ໌ (Vientiane Times)</dc:alternative><dc:date>2000</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/66</identifier><datestamp>2025-08-22T08:01:56Z</datestamp><setSpec>country:myanmar</setSpec><setSpec>type:government-record-parliamentary-proceedings</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the meeting of the Burmese House of Representatives, 1988.  Countries: Myanmar</dc:title><dc:creator>Burmese House of Representatives (Pyithu Hluttaw)</dc:creator><dc:description>Official minutes documenting legislative proceedings of the Burmese House of Representatives in 1988, the final year of parliamentary activity before the suspension of parliament following political unrest.</dc:description><dc:language>Burmese</dc:language><dc:type>Government Record / Parliamentary Proceedings</dc:type><dc:format>Textual Document (Bound volume, PDF digitized copy)</dc:format><dc:identifier>MM-HOR-1988-MINUTES</dc:identifier><dc:rights> Government of the Union of Myanmar</dc:rights><dc:coverage>Myanmar</dc:coverage><dc:source>http://www.pyithuhluttaw.gov.mm</dc:source><dc:alternative>ပြည်သူ့လွှတ်တော် အစည်းအဝေး မှတ်တမ်း (Pyithu Hluttaw Minutes, 1988)</dc:alternative><dc:date>1988</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/67</identifier><datestamp>2025-08-22T08:31:29Z</datestamp><setSpec>country:brunei</setSpec><setSpec>type:newspaper-print-media</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Brunei Times newspaper, 2006 edition  Countries: Brunei</dc:title><dc:creator>The Brunei Times Press / Private Publishing Company</dc:creator><dc:description>English-language daily newspaper in Brunei; the 2006 edition includes coverage of national development, government policies, ASEAN relations, and social issues.</dc:description><dc:language>English</dc:language><dc:type>Newspaper / Print Media</dc:type><dc:format>Print / Digitized (PDF)</dc:format><dc:identifier>BN-BT-2006-[issue/vol-no]</dc:identifier><dc:rights>The Brunei Times Publishing</dc:rights><dc:coverage>Brunei</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Brunei_Times</dc:source><dc:alternative>The Brunei Times</dc:alternative><dc:date>2006</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/68</identifier><datestamp>2025-08-26T02:54:52Z</datestamp><setSpec>country:philippines</setSpec><setSpec>type:parliamentary-report-transcript</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Report of the 1987 meeting of the Philippine House of Representatives.  Countries: Philippines</dc:title><dc:creator>Philippine Parliament</dc:creator><dc:description>Official transcript and report of the deliberations of the Philippine House of Representatives during the 1987 session, covering legislative discussions, committee reports, and national policy matters following the ratification of the 1987 Constitution.</dc:description><dc:language>English, Filipino</dc:language><dc:type>Parliamentary Report / Transcript</dc:type><dc:format>Printed Text (Digitized PDF)</dc:format><dc:identifier>PH-HOR-1987-REP-001</dc:identifier><dc:rights>Government Document, Public Domain</dc:rights><dc:coverage>Philippines</dc:coverage><dc:source>https://www.congress.gov.ph/</dc:source><dc:alternative>Ulat ng Pulong ng Kapulungan ng mga Kinatawan, 1987</dc:alternative><dc:date>1987-03-15</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/69</identifier><datestamp>2025-08-26T03:15:50Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:newspaper-weekly-newsmagazine</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Saigon Times newspaper, 1995 edition  Countries: Vietnam</dc:title><dc:creator>The Saigon Times</dc:creator><dc:description>English-language business and general news newspaper in Vietnam. The 1995 edition covers economic reforms, foreign direct investment, and domestic social issues during Vietnam’s post-Đổi Mới transition. It also marks the launch of The Saigon Times Daily on October 2, 1995.</dc:description><dc:language>English</dc:language><dc:type>Newspaper / Weekly newsmagazine</dc:type><dc:format>Print (digitized copies exist in some archives)</dc:format><dc:identifier>ISSN 0868-3352 (weekly edition)</dc:identifier><dc:rights>© Saigon Times Group. All rights reserved.</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://thesaigontimes.vn/</dc:source><dc:alternative>The Saigon Times (English-language)</dc:alternative><dc:date>1995-10-02 (launch of the daily edition; weekly issues published throughout 1995)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/70</identifier><datestamp>2025-08-26T03:35:58Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:parliamentary-record-hansard</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the Singapore House of Representatives Meeting, 1965  Countries: Singapore</dc:title><dc:creator>Singapore Parliament</dc:creator><dc:description>Official verbatim record of the debates and proceedings of the Singapore House of Representatives in 1965, covering policy deliberations, independence-related legislation, and state-building measures in the first year after Singapore’s separation from Malaysia.</dc:description><dc:language>English</dc:language><dc:type>Parliamentary Record / Hansard</dc:type><dc:format>Print (digitized PDF available)</dc:format><dc:identifier>SG-PARL-1965-MIN-001</dc:identifier><dc:rights>© Parliament of Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://sprs.parl.gov.sg/search/#/home</dc:source><dc:alternative>Parliamentary Debates, Singapore House of Representatives, 1965</dc:alternative><dc:date>1965-12-22 (first meeting after Singapore’s independence, Aug 1965)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/71</identifier><datestamp>2025-08-26T04:05:53Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:newspaper-daily-press-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Nation — 1971 edition</dc:title><dc:creator>Editorial Board, The Nation</dc:creator><dc:description>English-language daily newspaper based in Bangkok, Thailand. The 1971 editions cover domestic politics (including the coup of November 1971), economic developments, and international news, serving expatriates, diplomats, and Thai readers seeking English-language reporting.</dc:description><dc:language>English</dc:language><dc:type>Newspaper (daily press)</dc:type><dc:format>(broadsheet; later microfilmed/digitized)</dc:format><dc:identifier>ISSN 0857-0151 (The Nation, Bangkok)</dc:identifier><dc:rights>© The Nation Group (historical editions)</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.nationthailand.com/</dc:source><dc:alternative>The Nation (Thailand)</dc:alternative><dc:date>1971-07-01 (sample issue; adjust to specific date if needed)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/74</identifier><datestamp>2025-08-26T06:29:32Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:parliamentary-minutes-hansard</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the Meeting of the Cambodian House of Representatives</dc:title><dc:creator>Office of the Secretariat General of the House of Representatives</dc:creator><dc:description>Official verbatim records of legislative debates, motions, and resolutions of the Cambodian House of Representatives. These minutes reflect national policy, political debates, and legislative development in Cambodia during the post-independence monarchy era.</dc:description><dc:language>Khmer, French (secondary), English (some translations)</dc:language><dc:type>Parliamentary Minutes / Hansard</dc:type><dc:format>Print (bound reports; later microfilmed and partially digitized)</dc:format><dc:identifier>KHM-NATLASSY-REP-MIN-1960s-001</dc:identifier><dc:rights>© National Assembly of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>-</dc:source><dc:alternative>កំណត់ហេតុការប្រជุมរបស់សភាតំណាងរាស្រ្តកម្ពុជា (Kamnatho Ka Prochum Robos Sâphéa Tumnanh Réastr Kampuchea)</dc:alternative><dc:date>1966-01-15 (example; year when the National Assembly sessions were active under the Kingdom of Cambodia)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/72</identifier><datestamp>2025-08-26T06:33:24Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:parliamentary-minutes-hansard</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the meeting of the Indonesian House of Representatives, 1950. </dc:title><dc:creator>Secretariat General of the Indonesian House of Representatives</dc:creator><dc:description>Official verbatim record of proceedings and debates in the Indonesian House of Representatives during 1950, documenting the transitional political landscape after Dutch recognition of independence (December 1949) and the early constitutional debates leading toward the 1950 Provisional Constitution.</dc:description><dc:language>Indonesian (Bahasa Indonesia), some Dutch terms in legal context</dc:language><dc:type>Parliamentary Minutes / Hansard</dc:type><dc:format>Print (bound volume; later microfilmed and digitized)</dc:format><dc:identifier>IDN-DPR-1950-MIN-001</dc:identifier><dc:rights>© Dewan Perwakilan Rakyat Republik Indonesia</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://data.ipu.org/parliament/ID/ID-LC01/</dc:source><dc:alternative>Risalah Rapat Dewan Perwakilan Rakyat Republik Indonesia, 1950</dc:alternative><dc:date>1950-08-19 (first DPR-RI sessions following the transfer of sovereignty and establishment of the Republic of the United States of Indonesia transitioning to the unitary Republic)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/73</identifier><datestamp>2025-08-26T06:33:56Z</datestamp><setSpec>country:malaysia</setSpec><setSpec>type:newspaper-daily-press-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Star newspaper, 1980 edition  </dc:title><dc:creator>The Star</dc:creator><dc:description>English-language daily newspaper from Malaysia. The 1980 editions cover Malaysian domestic politics, ASEAN developments, and global news during the Cold War. Notable coverage includes Mahathir Mohamad’s rise in national politics and socio-economic policies of the era.</dc:description><dc:language>English</dc:language><dc:type>Newspaper (daily press)</dc:type><dc:format>Print (broadsheet; later microfilmed and digitized)</dc:format><dc:identifier>ISSN 0126-4273 (The Star)</dc:identifier><dc:rights>© Star Media Group Berhad</dc:rights><dc:coverage>Malaysia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Star_%28Malaysia%29?utm_source=chatgpt.com</dc:source><dc:alternative>The Star (Malaysia)</dc:alternative><dc:date>1980-01-01 (representative of the 1980 calendar year)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/75</identifier><datestamp>2025-08-26T06:49:15Z</datestamp><setSpec>country:myanmar</setSpec><setSpec>type:newspaper-weekly-later-bi-weekly-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Myanmar Times newspaper, 2001 edition</dc:title><dc:creator>The Myanmar Times</dc:creator><dc:description>The Myanmar Times is an English-language and Burmese-language newspaper founded in 2000. The 2001 editions cover domestic politics, ASEAN affairs, and socio-economic developments during Myanmar’s military government. Known as one of the first semi-independent newspapers in Myanmar after decades of state-controlled press.</dc:description><dc:language>English, Burmese</dc:language><dc:type>Newspaper (weekly, later bi-weekly)</dc:type><dc:format>Print (broadsheet; later digitized PDF for some archives)</dc:format><dc:identifier>ISSN 1728-6885 (English edition)</dc:identifier><dc:rights>© Myanmar Consolidated Media Co., Ltd.</dc:rights><dc:coverage>Myanmar</dc:coverage><dc:source>https://www.burmalibrary.org/en/category/the-myanmar-times-english-2001</dc:source><dc:alternative>The Myanmar Times</dc:alternative><dc:date>2001-01-01 (representative of the 2001 publishing year)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/81</identifier><datestamp>2025-08-26T07:11:39Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:religious-artifact-reliquary</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Cham Kosha</dc:title><dc:creator>Cham artisans (unattributed)</dc:creator><dc:description>A kosha (reliquary casing) used in Cham culture to enshrine sacred lingas or relics in Hindu temples. Typically made of sandstone or bronze, carved with Cham motifs (lotus, floral patterns, geometric borders).</dc:description><dc:language>Sanskrit (inscriptions, if present); Cham</dc:language><dc:type>Religious Artifact / Reliquary</dc:type><dc:format>Sculptural object (stone/metal)</dc:format><dc:identifier>VN-CHAM-KOSHA-0001</dc:identifier><dc:rights>© Da Nang Museum of Cham Sculpture / Vietnam Government</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://asiamystika.com/blog/da-nang-museum-of-cham-sculpture</dc:source><dc:alternative>Kosha Chăm</dc:alternative><dc:date>ca. 9th–10th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/82</identifier><datestamp>2025-08-26T07:25:02Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:jewellery-ornament-ceremonial-regalia</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khmer Gold Jewellery</dc:title><dc:creator>Khmer goldsmiths (unattributed)</dc:creator><dc:description>Ornamental gold jewellery including necklaces, bracelets, earrings, and ceremonial regalia, crafted with repoussé, filigree, and granulation techniques. Used by Khmer royalty, aristocracy, and for religious ceremonies</dc:description><dc:language>Khmer (inscriptions rarely appear; most are decorative)</dc:language><dc:type>Jewellery / Ornament / Ceremonial Regalia</dc:type><dc:format>Physical artifact (gold ornamentation)</dc:format><dc:identifier>KHM-GOLD-ANGKOR-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.cambodiamuseum.info/</dc:source><dc:alternative>គ្រឿងអលង្ការពីមាសខ្មែរ (Krueng Alangka Pi Meas Khmer)</dc:alternative><dc:date>ca. 11th–13th century CE (Angkor Wat/Bayon period)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/83</identifier><datestamp>2025-08-26T07:50:32Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:musical-instrument-ritual-object-power-symbol</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Dong Son Bronze Drum</dc:title><dc:creator>Dong Son metalworkers (unattributed)</dc:creator><dc:description>A ritual bronze drum decorated with intricate geometric patterns, solar motifs, and depictions of daily life, warfare, and ceremonies. Used in rituals, burials, and as symbols of power.</dc:description><dc:language>None (iconographic designs rather than text)</dc:language><dc:type>Musical Instrument / Ritual Object / Power Symbol</dc:type><dc:format>Cast bronze (lost-wax and sectional casting)</dc:format><dc:identifier>VN-DONGSON-DRUM-0001</dc:identifier><dc:rights>© Vietnam National Museum of History</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://baotanglichsu.vn/vi</dc:source><dc:alternative>Trống đồng Đông Sơn (Vietnamese); 铜鼓 (Chinese)</dc:alternative><dc:date>ca. 500–300 BCE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/84</identifier><datestamp>2025-08-26T08:10:51Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:religious-sculpture-buddha-image</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Phra Phuttha Sihing</dc:title><dc:creator>Unknown (Lanka/Chiang Saen artisans, attributed 14th century CE)</dc:creator><dc:description>A bronze-cast Buddha image in the subduing Mara posture. Revered as one of Thailand’s most sacred Buddha statues. Replicas exist in Chiang Mai and Nakhon Si Thammarat.</dc:description><dc:language>Thai, Pali (inscriptions in chronicles)</dc:language><dc:type>Religious Sculpture / Buddha Image</dc:type><dc:format>Cast bronze statue</dc:format><dc:identifier>TH-PPS-0001</dc:identifier><dc:rights>© Fine Arts Department of Thailand / Bangkok National Museum</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.alamy.com/phra-phuttha-sihing-an-important-buddha-image-inside-buddisawan-chapel-at-national-museum-bangkok-thailand-image502291153.html</dc:source><dc:alternative>พระพุทธสิหิงค์ (Phra Phuttha Sihing)</dc:alternative><dc:date>ca. 14th century CE (Lan Na / Sukhothai era)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/85</identifier><datestamp>2025-08-26T08:26:41Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:religious-sculpture-hindu-deity-image</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Five-headed Śiva</dc:title><dc:creator>Khmer sculptors (unattributed)</dc:creator><dc:description>A sandstone sculpture depicting Śiva with five heads (pañcamukha), each facing a cardinal direction (east, west, north, south) and one upward, symbolizing omniscience, creation, protection, destruction, and liberation.</dc:description><dc:language>Sanskrit (conceptual basis); Khmer (contextual inscriptions on temples)</dc:language><dc:type>Religious sculpture / Hindu deity image</dc:type><dc:format>Carved sandstone statue fragment</dc:format><dc:identifier>KHM-SIVA-5HEADS-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.metmuseum.org/art/collection/search/38620</dc:source><dc:alternative>ปัญจมุขศิวะ (Pañcamukha Śiva) / शिव पंचमुखी (Śiva Pañcamukha)</dc:alternative><dc:date>ca. 10th century CE (Baphuon style, Angkor)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/86</identifier><datestamp>2025-08-27T01:38:54Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:religious-sculpture-hindu-deity-statue</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Vishnu Statue</dc:title><dc:creator>Khmer sculptors (unattributed)</dc:creator><dc:description>A sandstone statue of the Hindu god Vishnu, often depicted with four arms holding conch (shankha), discus (chakra), mace (gada), and lotus or orb. Associated with preservation of the cosmos.</dc:description><dc:language>Sanskrit (in religious inscriptions), Khmer epigraphy in temple contexts</dc:language><dc:type>Religious sculpture / Hindu deity statue</dc:type><dc:format>Sandstone carving</dc:format><dc:identifier>KHM-VISHNU-0001</dc:identifier><dc:rights>© National Museum of Cambodia (or relevant institution)</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.cambodiamuseum.info/en_collection/bronze_object/reclining_visnu.html</dc:source><dc:alternative>พระวิษณุ (Thai), विष्णु मूर्ति (Viṣṇu Mūrti, Sanskrit), វិស្ណុ (Khmer)</dc:alternative><dc:date>ca. 11th century CE (Baphuon or Angkor Wat style)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/87</identifier><datestamp>2025-08-27T02:03:14Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:performance-mask-traditional-theatre-artifact</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khon Masks</dc:title><dc:creator>Thai court artisans, mask-makers (Chao Khun Chang group, Royal workshops, and contemporary master craftsmen)</dc:creator><dc:description>Highly ornate papier-mâché or plaster masks painted and gilded, representing characters in the Ramakien epic — gods, demons (yak), and monkeys (hanuman). Used in Khon dance-drama performances.</dc:description><dc:language>Thai, Pali (for epic references)</dc:language><dc:type>Performance Mask / Traditional Theatre Artifact</dc:type><dc:format>Sculpted and painted papier-mâché, cloth, gilded ornament</dc:format><dc:identifier>TH-KHON-MASKS-0001</dc:identifier><dc:rights>© Fine Arts Department of Thailand</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://datasipmu.finearts.go.th/portfolio/547</dc:source><dc:alternative>หน้ากากโขน (Na-kak Khon)</dc:alternative><dc:date>Traditionally from Ayutthaya era; examples continue to be made in the Rattanakosin period to present</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/88</identifier><datestamp>2025-08-27T02:24:12Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:religious-sculpture-ritual-silverwork</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Cham Silver Statues</dc:title><dc:creator>Cham silversmiths (unattributed artisans)</dc:creator><dc:description> Small silver statues created by the Cham people, depicting deities, animals, or ritual objects. Crafted with repoussé and casting techniques. Used in temple offerings, ancestor worship, and as ritual ornaments.</dc:description><dc:language>Cham, Sanskrit (epigraphic context)</dc:language><dc:type>Religious sculpture / Ritual silverwork</dc:type><dc:format>Solid and repoussé silver statues</dc:format><dc:identifier>VN-CHAM-SILVER-0001</dc:identifier><dc:rights>© Da Nang Museum of Cham Sculpture / Vietnam Government</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://danangfantasticity.com/en/danang-museum-of-cham-sculpture/statue-of-bodhisattva-laskmindra-lokeshvara-tara</dc:source><dc:alternative> Tượng bạc Chăm (Vietnamese)</dc:alternative><dc:date>ca. 12th–14th century CE (Late Champa period)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/89</identifier><datestamp>2025-08-27T02:46:38Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:ritual-artifact-ceremonial-vessel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khmer Ritual Vessels</dc:title><dc:creator>Khmer metalworkers and potters (unattributed)</dc:creator><dc:description>Ritual vessels crafted in bronze, silver, and ceramics used for offerings, libations, and temple ceremonies. Designs often feature lotus petals, naga motifs, and Hindu-Buddhist iconography.</dc:description><dc:language>Khmer, Sanskrit (contextual inscriptions)</dc:language><dc:type>Ritual artifact / Ceremonial vessel</dc:type><dc:format>Bronze, silver, and glazed ceramics</dc:format><dc:identifier> KHM-RITUALVES-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.cambodiamuseum.info/en_collection/ceramics/oval_vessel.html</dc:source><dc:alternative>ภาชนะพิธีกรรมขอม (Thai) / បរិក្ខារពិធីខ្មែរ (Khmer)</dc:alternative><dc:date>ca. 11th–13th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/90</identifier><datestamp>2025-08-27T03:05:36Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:jewellery-adornment</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Peranakan Gold Jewellery</dc:title><dc:creator>Peranakan master goldsmiths (often Chinese artisans trained in Straits traditions)</dc:creator><dc:description>Intricate gold jewellery including kerosang (brooch sets), hairpins, rings, and necklaces. Known for filigree, granulation, repoussé, and gemstone inlay. Worn in ceremonial attire, weddings, and social occasions.</dc:description><dc:language>Malay, Chinese (Hokkien/Baba Malay cultural context)</dc:language><dc:type>Jewellery / Adornment</dc:type><dc:format>Crafted gold, often inset with diamonds, rubies, or sapphires</dc:format><dc:identifier>SG-PERANAKAN-GOLD-0001</dc:identifier><dc:rights>© Asian Civilisations Museum, Singapore / Peranakan Museum</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nhb.gov.sg/peranakanmuseum/galleries/tpmgallerylevel-3/jewellery</dc:source><dc:alternative>Peranakan Emas Perhiasan (Malay); 珍珠娘金饰 (Chinese, Straits-born Chinese context)</dc:alternative><dc:date>ca. 1800s–early 1900s</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/93</identifier><datestamp>2025-08-27T05:57:07Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:ritual-artifact-ceremonial-vessel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Cham Ritual Vessels</dc:title><dc:creator>Cham artisans (specialized in ritual metalwork and ceramics)</dc:creator><dc:description>Ritual vessels of the Cham people, crafted from bronze, silver, and ceramics, used in temple ceremonies, offerings, and libation rituals dedicated to Hindu (Shiva, Vishnu) and Buddhist deities.</dc:description><dc:language>Cham, Sanskrit (contextual inscriptions)</dc:language><dc:type>Ritual Artifact / Ceremonial Vessel</dc:type><dc:format>Bronze, silver, terracotta, stoneware</dc:format><dc:identifier>VN-CHAM-RITUALVESSELS-0001</dc:identifier><dc:rights>© Da Nang Museum of Cham Sculpture</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://alaintruongdotcom.wordpress.com/2016/08/19/ritual-ovoid-kendi-pouring-vessel-with-flaring-mouth-and-short-spout-vietnamcham-kingdom-9th-10th-century/</dc:source><dc:alternative>Đồ lễ nghi Chăm (Vietnamese); ᨲᨱᨦᨿᨾᨲᨾᨳ (Cham script, translit: Do laeng ngih Cam)</dc:alternative><dc:date>ca. 10th–14th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/94</identifier><datestamp>2025-08-27T06:08:58Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:tool-ritual-production-artifact</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khmer Stone Moulds</dc:title><dc:creator>Khmer craftsmen specialized in metallurgy</dc:creator><dc:description>Stone moulds used by Khmer artisans for casting bronze or other metal objects, such as ritual vessels, small Buddha images, bells, ornaments, and ceremonial tools. The moulds often show negative impressions of religious motifs.</dc:description><dc:language>None (functional object; contextual inscriptions may exist nearby)</dc:language><dc:type>Tool / Ritual Production Artifact</dc:type><dc:format>Carved sandstone or steatite blocks</dc:format><dc:identifier>KHM-STONEMOULDS-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.cambodiamuseum.info</dc:source><dc:alternative>ພິມຫີນຂອມ (Lao); แม่พิมพ์หินขอม (Thai); Khuôn đá Khmer (Vietnamese)</dc:alternative><dc:date>ca. 10th–12th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/95</identifier><datestamp>2025-08-27T06:22:34Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:court-jewelry-decorative-art</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Islamic Court Jewellery</dc:title><dc:creator>Court jewelers (Mughal, Ottoman, Persian ateliers)</dc:creator><dc:description>Precious jewelry crafted for Islamic courts, including gem-encrusted daggers, necklaces, earrings, armbands, and crowns. Techniques include goldsmithing, enameling, and gemstone inlay, symbolizing wealth and power of Islamic dynasties.</dc:description><dc:language>Arabic, Persian (inscriptions sometimes present on pieces)</dc:language><dc:type>Court Jewelry / Decorative Art</dc:type><dc:format>Gold, silver, enamel, gemstones</dc:format><dc:identifier>TH-EXH-ISLAMICJEWEL-0001</dc:identifier><dc:rights>© Lending Museum(s) and Fine Arts Department of Thailand</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.finearts.go.th/nationalmuseum</dc:source><dc:alternative>เครื่องประดับราชสำนักอิสลาม</dc:alternative><dc:date>ca. 1500–1800 CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/96</identifier><datestamp>2025-08-27T07:14:22Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:ritual-instrument-ceremonial-object</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khmer Gold Drum</dc:title><dc:creator>Khmer metalworkers (influenced by Dong Son bronze drum traditions)</dc:creator><dc:description>A ritual drum made of hammered or cast gold alloy, richly decorated with concentric starburst motifs, animal figures, and geometric designs. Used in royal courts and temples for ritual sound, offerings, and as prestige symbols.</dc:description><dc:language>None (iconographic designs rather than inscriptions)</dc:language><dc:type>Ritual Instrument / Ceremonial Object</dc:type><dc:format>Hammered gold sheet over bronze core, or cast gold</dc:format><dc:identifier>KHM-GOLDDRUM-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>Khmer Gold Drum</dc:source><dc:alternative>กลองทองขอม (Thai); ກອງຄໍາຂະເໝນ (Lao); Trống vàng Khmer (Vietnamese)</dc:alternative><dc:date>ca. 1st–5th century CE (proto-Khmer / Funan period) or later ceremonial reproductions</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/97</identifier><datestamp>2025-08-27T07:25:56Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:ritual-ornament-court-regalia</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Cham Diadems</dc:title><dc:creator>Cham royal goldsmiths and court artisans</dc:creator><dc:description>Ornamental gold or silver diadems worn by Cham royalty and elites during religious ceremonies and court events. Decorated with repoussé floral motifs, Hindu-Buddhist iconography (lotus, kala, naga), and sometimes inlaid with semi-precious stones.</dc:description><dc:language>None (iconographic motifs only)</dc:language><dc:type>Ritual Ornament / Court Regalia</dc:type><dc:format>Gold or silver sheet, repoussé, chased, gem-inlaid</dc:format><dc:identifier>VN-CHAM-DIADEM-0001</dc:identifier><dc:rights>© Da Nang Museum of Cham Sculpture / Vietnam Government</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://chammuseum.danang.vn/</dc:source><dc:alternative>Vương miện Chăm (Vietnamese); ꨓꨯꨤ ꨌꨣ (Cham script, translit: Diadem Cam)</dc:alternative><dc:date>ca. 10th–14th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/98</identifier><datestamp>2025-08-27T07:36:32Z</datestamp><setSpec>country:cambodia</setSpec><setSpec>type:ritual-offering-object</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Khmer Votive Plates</dc:title><dc:creator>Khmer artisans, temple donors, and royal workshops</dc:creator><dc:description>Small thin plates made of gold, silver, bronze, or terracotta, stamped or incised with Buddhist or Hindu images (Buddha, Bodhisattva, Vishnu, Shiva, linga, yoni). Used as offerings and consecration deposits in temple foundations, stupas, or reliquaries.</dc:description><dc:language>Sometimes inscribed in Sanskrit or Old Khmer</dc:language><dc:type>Ritual Offering Object</dc:type><dc:format>Thin stamped or repoussé metal plate; molded clay plate</dc:format><dc:identifier>KHM-VOTIVEPLATES-0001</dc:identifier><dc:rights>© National Museum of Cambodia</dc:rights><dc:coverage>Cambodia</dc:coverage><dc:source>https://www.cambodiamuseum.info</dc:source><dc:alternative>แผ่นบูชาขอม (Thai); បៀបបូជា (Khmer)</dc:alternative><dc:date>ca. 10th–13th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/99</identifier><datestamp>2025-08-27T07:48:19Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:religious-sculpture</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Sukhothai Buddha</dc:title><dc:creator>Royal artisans of Sukhothai</dc:creator><dc:description>A bronze Buddha statue with distinctive oval face, arched eyebrows, aquiline nose, gentle “Sukhothai smile,” and proportioned, graceful body — symbolizing serenity and compassion.</dc:description><dc:language> Pali, Old Thai (contextual inscriptions)</dc:language><dc:type>Religious Sculpture</dc:type><dc:format>Bronze casting / Stone carving</dc:format><dc:identifier>TH-SUKH-BUDDHA-0001</dc:identifier><dc:rights>© Fine Arts Department of Thailand</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://en.wikipedia.org/wiki/Sukhothai_Historical_Park</dc:source><dc:alternative>พระพุทธรูปสุโขทัย</dc:alternative><dc:date>ca. 14th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/91</identifier><datestamp>2025-08-27T07:51:50Z</datestamp><setSpec>country:laos</setSpec><setSpec>type:religious-sculpture-buddha-image</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Phra Bang Buddha</dc:title><dc:creator> Lao artisans, traditionally attributed to craftsmen under Khmer-Lao influence</dc:creator><dc:description>A standing Buddha cast in gold, revered as the palladium of Laos. Believed to bring protection and legitimacy to rulers. It is carried in procession during Lao New Year (Pi Mai) festivals.</dc:description><dc:language>Lao, Pali</dc:language><dc:type>Religious sculpture / Buddha image</dc:type><dc:format>Gold-cast statue (partially alloyed)</dc:format><dc:identifier>LAO-PHRABANG-0001</dc:identifier><dc:rights>© Lao National Museum / Lao Government</dc:rights><dc:coverage>Laos</dc:coverage><dc:source>https://en.wikipedia.org/wiki/Phra_Bang</dc:source><dc:alternative>ພະບາງ (Phra Bang)</dc:alternative><dc:date>ca. 14th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/92</identifier><datestamp>2025-08-27T07:52:35Z</datestamp><setSpec>country:laos</setSpec><setSpec>type:religious-sculpture-palladium-buddha</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Phra Bang Thong (Golden Phra Bang Buddha)</dc:title><dc:creator>Lao royal artisans under Khmer–Lao influence (legend attributes to early craftsmen from Angkor traditions)</dc:creator><dc:description>A sacred standing Buddha cast in solid gold, revered as a royal and national palladium. Symbolizes prosperity, protection, and the Buddhist faith of Laos. Used in annual Pi Mai (Lao New Year) bathing ceremonies.</dc:description><dc:language>Lao, Pali</dc:language><dc:type>Religious Sculpture / Palladium Buddha</dc:type><dc:format>Cast gold statue</dc:format><dc:identifier>LAO-PHRABANG-THONG-0001</dc:identifier><dc:rights>© Lao Government, Ministry of Information, Culture and Tourism</dc:rights><dc:coverage>Laos</dc:coverage><dc:source>https://havecamerawilltravel.photography/royal-palace-luang-prabang-laos/</dc:source><dc:alternative>ພະບາງທອງ (Phra Bang Thong)</dc:alternative><dc:date>ca. 14th century CE (Lan Xang period)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/100</identifier><datestamp>2025-08-27T07:58:55Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:religious-symbol-monumental-sculpture</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Dvaravati Dharmachakra (Wheel of the Law)</dc:title><dc:creator>Dvaravati stone carvers</dc:creator><dc:description>-Sandstone wheel with carved spokes (8–32), mounted on pedestal, symbolizing the Buddha’s First Sermon and the turning of the Dharma Wheel.</dc:description><dc:language>Pali (context inscriptions)</dc:language><dc:type>Religious Symbol / Monumental Sculpture</dc:type><dc:format>Sandstone carving</dc:format><dc:identifier>TH-DVARA-DHARMACHAKRA-0001</dc:identifier><dc:rights>© Fine Arts Department of Thailand</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://culturio.sac.or.th/content/1773</dc:source><dc:alternative>ธรรมจักรทวารวดี</dc:alternative><dc:date>ca. 8th century CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/51</identifier><datestamp>2025-08-29T01:05:40Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:stone-epigraph-stele-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>King Ram Khamhaeng Inscription</dc:title><dc:creator>King Ramkhamhaeng</dc:creator><dc:description>A siltstone stele inscribed in Sukhothai (Old Thai) script, detailing socio-economic and cultural aspects of the Sukhothai Kingdom. Considered the earliest example of Thai writing. Registered on UNESCO’s Memory of the World in 2003</dc:description><dc:language>Old Thai (Sukhothai script)</dc:language><dc:type>Stone Epigraph (Stele)</dc:type><dc:format>Siltstone stele, four-sided with pyramidal top (approx. 114.5 cm tall)</dc:format><dc:identifier>UNESCO Memory of the World Register No. 00066 (King Ram Khamhaeng Inscription)</dc:identifier><dc:rights>Fine Arts Department, Thailand / Bangkok National Museum</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.unesco.org/en/memory-world/king-ram-khamhaeng-inscription</dc:source><dc:alternative>จารึกพ่อขุนรามคำแหงมหาราช</dc:alternative><dc:date>1292 CE</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/6</identifier><datestamp>2025-09-01T02:09:34Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:historical-nationalist-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Kami Present, Ibu Pertiwi (Stand Guard for our Motherland)</dc:title><dc:creator>S. Sudjojono</dc:creator><dc:description>A monumental oil-on-canvas painting (176 × 300 cm) depicting villagers and guerrilla fighters under a dramatic sky, with Prambanan Temple silhouette in the distance—symbolizing national struggle and patriotic resolve. Includes an inscription: &quot;With every instrument and method, let us defend our beautiful Motherland.&quot;</dc:description><dc:language>Indonesian (inscription on canvas)</dc:language><dc:type>Historical/Nationalist Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A006</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/s--sudjojono/2011/2011-02252%20(cropped).jpg.html?search=Kami%20Present,%20Ibu%20Pertiwi%20(Stand%20Guard%20for%20our%20Motherland)</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/7</identifier><datestamp>2025-09-01T03:44:37Z</datestamp><setSpec>country:philippines</setSpec><setSpec>type:abstract-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Dancing Mutants</dc:title><dc:creator>Hernando R. Ocampo (1911–1978)</dc:creator><dc:description>A dynamic abstract oil painting responding to the horrors of atomic warfare. Rhythmic red and green forms suggest mutant flora and fauna, conveying dark yet vibrant energ</dc:description><dc:type>Abstract Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A007</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Philippines</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/hernando-r--ocampo/1996/1996-00542%20(cropped).jpg.html?search=Dancing%20Mutants</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/8</identifier><datestamp>2025-09-01T06:25:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:abstract-modernist-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Pagoda II</dc:title><dc:creator>Latiff Mohidin</dc:creator><dc:description>An abstract oil painting featuring three stylized pagoda silhouettes inspired by Southeast Asian architectural forms. Executed with bold outlines and flat tonal blocks, this work evokes cultural universality and regional identity</dc:description><dc:type>Abstract Modernist Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A008</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/latiff-mohidin/1995/1995-01802%20(cropped).jpg.html?search=Pagoda%20II</dc:source><dc:date>1964</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/9</identifier><datestamp>2025-09-01T06:50:06Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:surrealist-political-expression-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Red Morning Glory and Rotten Gun</dc:title><dc:creator>Pratuang Emjaroen (Thai artist, b.1935)</dc:creator><dc:description>An oil-on-canvas painting depicting a bleak, surreal landscape. Rotten rifles, skeletal remains, skulls under Thailand’s flag, a beheaded Buddha crying under a bleeding moon—with regrowth in the form of a single glowing flower—interpreted as a powerful critique of Thailand's political violence in the mid-1970s</dc:description><dc:type>Surrealist / Political Expression Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A009</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/pratuang-emjaroen/1999/1999-00065%20(cropped).jpg.html?search=Red%20Morning%20Glory%20and%20Rotten%20Gun</dc:source><dc:alternative>-</dc:alternative><dc:date>1972</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/10</identifier><datestamp>2025-09-01T07:10:07Z</datestamp><setSpec>country:myanmar</setSpec><setSpec>type:surrealist-symbolic-political-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Age of Full Bloom</dc:title><dc:creator>San Minn (b. 1951), Burmese modernist artist</dc:creator><dc:description>It depicts growth and prosperity in the form of flowers in full bloom and countryside landscapes.</dc:description><dc:language>English</dc:language><dc:type>Surrealist/Symbolic Political Painting</dc:type><dc:format>Oil and metal chain on canvas</dc:format><dc:identifier>NGS-A010</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Myanmar</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/san-minn/2015/2015-00411(1).tif.html?search=Age%20of%20Full%20Bloom</dc:source><dc:date>1979</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/11</identifier><datestamp>2025-09-01T08:00:30Z</datestamp><setSpec>country:china</setSpec><setSpec>type:landscape-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Zhangjiajie</dc:title><dc:creator>Wu Guanzhong</dc:creator><dc:description>A monumental ink and color painting capturing the jagged sandstone pillars of Zhangjiajie National Forest Park, with subtle splashes of magenta, orange, and yellow-green suggesting seasonal change. Considered the largest artwork by the artist in the National Collection</dc:description><dc:type>Landscape Painting</dc:type><dc:format>Chinese ink and colour on paper</dc:format><dc:identifier>NGS‑A011</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>China</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/wu-guanzhong/2008/2008-06898%20(cropped).tif.html?search=Zhangjiajie</dc:source><dc:alternative>张家界</dc:alternative><dc:date>1997</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/12</identifier><datestamp>2025-09-02T01:38:00Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:ink-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Gibbons</dc:title><dc:creator>Chen Wen Hsi (1906–1991), Singaporean pioneer artist in the Nanyang style</dc:creator><dc:description>Monumental Chinese ink painting of gibbons leaping and swinging among branches. Executed with vigorous brushwork, delicate line variation, and rhythmic composition, showcasing Chen’s mastery in combining Chinese ink traditions with modern dynamism.</dc:description><dc:type>Ink painting</dc:type><dc:format>Chinese ink on paper (mounted scroll/mural)</dc:format><dc:identifier>NGS-A012</dc:identifier><dc:rights>© National Gallery Singapore / CPF (depending on commission provenance)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chen-wen-hsi/1993/1993-01382.jpg.html?search=Gibbons</dc:source><dc:alternative>Yuan (猿)</dc:alternative><dc:date>1977</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/13</identifier><datestamp>2025-09-02T01:48:09Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:calligraphic-work-couplets</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Calligraphy Couplet in Clerical Script</dc:title><dc:creator>Undated</dc:creator><dc:description>Pair of calligraphic couplets executed in fine clerical script, rendered with Chinese ink on rice paper. The work demonstrates disciplined brushwork and reflects Lim Hak Tai’s grounding in traditional Confucian refinement and self-cultivation through calligraphy</dc:description><dc:language>Chinese (clerical script)</dc:language><dc:type>Calligraphic work – Couplets</dc:type><dc:format>Ink on rice paper (hanging scrolls)</dc:format><dc:identifier>NGS‑A013</dc:identifier><dc:rights>© National Gallery Singapore (collection holder)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/lim-hak-tai/2015/2015-00586(1).tif.html</dc:source><dc:date>Lim Hak Tai (1893–1963), founding principal of Nanyang Academy of Fine Arts (NAFA) and esteemed art educato</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/14</identifier><datestamp>2025-09-02T01:58:22Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:modern-ink-painting-figurative-expression</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Han Acrobatics</dc:title><dc:creator>Tan Oe Pang (Singaporean ink artist)</dc:creator><dc:description>A solo acrobat twists mid-air across a paper surface. The composition uses bold, decisive brush lines to define the figure, complemented by soft ink smudges trailing behind and accents of ochre/red to emphasize movement and masculinity—bridging traditional ink painting with surrealist expression</dc:description><dc:type>Modern ink painting / figurative expression</dc:type><dc:format>Chinese ink and colour on paper</dc:format><dc:identifier>NGS‑A014</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/tan-oe-pang/2015/2015-00409.jpg.html?search=Han%20Acrobatics</dc:source><dc:date>1983</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/15</identifier><datestamp>2025-09-02T02:08:51Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:botanical-ink-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Plum Blossoms of Longevity</dc:title><dc:creator>Yan Yiyuan</dc:creator><dc:description>A masterful Chinese ink on paper painting depicting elegant plum blossoms evocative of longevity and enduring vitality—an enduring symbol in East Asian culture</dc:description><dc:type>Botanical Ink Painting</dc:type><dc:format>Chinese ink on paper</dc:format><dc:identifier>NGS‑A015</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/khoo-seok-wan/2022/2022-00468.tif.html?search=Plum%20Blossoms%20of%20Longevity</dc:source><dc:date>1924</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/16</identifier><datestamp>2025-09-02T02:17:59Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:landscape-figurative-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Life by the River</dc:title><dc:creator>Liu Kang (1911–2004), founding figure of Nanyang style in Singapore</dc:creator><dc:description>Oil on canvas depicting a vibrant kampong riverside scene—figures feeding ducks, bathing, in a lush tropical village. Highlights communal life with stylized outlines and vivid, Fauvist-inspired colors</dc:description><dc:language>-</dc:language><dc:type>Landscape / Figurative painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A016</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/liu-kang/p/P-0521%20(cropped)(1).jpg.html?search=Life%20by%20the%20River</dc:source><dc:alternative>-</dc:alternative><dc:date>1975</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/17</identifier><datestamp>2025-09-02T05:16:06Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:self-portrait-painting-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Self Portrait</dc:title><dc:creator>Georgette Chen (1906–1993), pioneering artist of the Nanyang style</dc:creator><dc:description>A contemplative oil-on-canvas self-portrait capturing Chen’s poised gaze and refined brushwork. The post-impressionist style reflects her training and cosmopolitan artistic journey</dc:description><dc:type>Self-Portrait (painting)</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A017</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/georgette-chen/1994/1994-04108(1).tif.html?search=Self%20Portrait</dc:source><dc:date>circa 1934</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/18</identifier><datestamp>2025-09-02T05:25:31Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:figurative-painting-genre-scene-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Here they come!</dc:title><dc:creator>Koeh Sia Yong (born 1938)</dc:creator><dc:description>A dynamic oil on canvas capturing itinerant hawkers quickly gathering their stalls—likely in response to an impending arrival of authorities. The figures are rendered with expressive brushwork that conveys both realism and urgency of everyday life in mid-1960s Singapore</dc:description><dc:type>Figurative painting (genre scene)</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A018</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/koeh-sia-yong/2002/2002-00423%20(cropped).jpg.html?search=Here%20they%20come!</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/19</identifier><datestamp>2025-09-02T05:33:56Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:batik-textile-artwork</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Voices of the Soul</dc:title><dc:creator>Sarkasi “Tzee” Said, prominent Singaporean batik artist known for pioneering wax-resist techniques</dc:creator><dc:description>A vibrant batik work utilizing expressive wax-resist patterns and rich, organic motifs—a hallmark of Sarkasi’s abstract batik style reflecting emotion and movement.</dc:description><dc:type>Batik textile artwork</dc:type><dc:format>Batik (wax-resist dye on fabric)</dc:format><dc:identifier>NGS‑A019</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/sarkasi-tzee-said/1996/1996-00222.tif.html?search=Voices%20of%20the%20Soul</dc:source><dc:date>Undated</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/20</identifier><datestamp>2025-09-02T05:44:03Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:social-realist-nationalist-figurative-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>National Language Class</dc:title><dc:creator>Chua Mia Tee (b. 1931), a leading Singaporean social realist painter</dc:creator><dc:description>Oil on canvas showing Chinese students seated around a round table—symbolizing equality—learning Malay (“Se‑i‑pa nama kamu? Di‑mana awak tinggal?”: “What is your name? Where do you live?”), indicating the rise of Malay as national language and post‑colonial identity formation</dc:description><dc:type>Social realist / nationalist figurative painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A020</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chua-mia-tee/p/P-0145_N(20150413).tif.html?search=National%20Language%20Class</dc:source><dc:date>1959</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/21</identifier><datestamp>2025-09-02T07:15:56Z</datestamp><setSpec>country:malaysia</setSpec><setSpec>type:self-portrait</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Self-Portrait</dc:title><dc:creator>Patrick Ng Kah Onn (b. 1932, Malaysia; studied in London; d. 1989 in UK)</dc:creator><dc:description>Oil on paper portraying the artist as a Malay woman, complete with long hair and batik attire, against a backdrop of a local landscape. This evocative front-facing gaze suggests commentary on gender, cultural identity, and multi-ethnic social narratives in post-independence Malaya/Singapore.</dc:description><dc:type>Self-portrait</dc:type><dc:format>oil on paper</dc:format><dc:identifier>NGS‑A021</dc:identifier><dc:rights>© Family of Patrick Ng; Collection of National Gallery Singapore</dc:rights><dc:coverage>Malaysia</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/patrick-ng-kah-onn/2017/659936.2017-00912.jpg.html?search=Patrick%20Ng%20Kah%20Onn</dc:source><dc:date>1958</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/22</identifier><datestamp>2025-09-02T07:29:13Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:social-realist-figurative-genre-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Labourer (Lunch Break)</dc:title><dc:creator>Lai Foong Moi (first Malaya-born female solo exhibitor in Singapore’s postcolonial art scene</dc:creator><dc:description>Oil on canvas depicting a male labourer in repose during a lunch break, with a Samsui woman quietly eating in the background. It captures a candid moment of worker-rest and hints at social hierarchies and migrant labour identities.</dc:description><dc:type>Social realist / figurative genre painting</dc:type><dc:format>Oil paint on canvas</dc:format><dc:identifier>NGS‑A022</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/lai-foong-moi/1997/1997-02952(1).jpg.html?search=Labourer%20(Lunch%20Break)</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/23</identifier><datestamp>2025-09-02T07:40:54Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:abstract-cityscape-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Skyline of New York</dc:title><dc:creator>Ahmad Sadali (1924–1987), notable Indonesian modernist painter and lecturer at Bandung Institute of Technology</dc:creator><dc:description>Abstract oil painting depicting New York’s skyline through simplified geometric forms and textured layers—reflecting Sadali’s synthesis of cubist influence and emerging abstract expressionism</dc:description><dc:type>Abstract cityscape painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A023</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/ahmad-sadali/2005/2005-00464%20(cropped).jpg.html?search=Skyline%20of%20New%20York</dc:source><dc:date>1957</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/24</identifier><datestamp>2025-09-02T07:49:48Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:figurative-painting-with-cubist-and-expressionist-undertones</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Two Figures</dc:title><dc:creator>Chen Wen Hsi (1906–1991), a leading figure in the Nanyang art movement known for blending Chinese ink traditions with Western modernism</dc:creator><dc:description>The painting uses vibrant, exaggerated colors and faceted forms to evoke tropical light and intensity; its cropped composition imparts immediacy. The angular treatment of figures underscores their rugged, everyday character</dc:description><dc:type>Figurative painting with cubist and expressionist undertones</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A024</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chen-wen-hsi/2002/2002-00414%20(cropped).jpg.html?search=Two%20Figures</dc:source><dc:date>1950s</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/25</identifier><datestamp>2025-09-02T08:00:31Z</datestamp><setSpec>country:france</setSpec><setSpec>type:still-life-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Still Life with Cut Apple and Orange</dc:title><dc:creator>Georgette Chen (1906–1993)</dc:creator><dc:description>A dynamic still life featuring sliced apple and orange, executed with heavy, energetic brushstrokes and textured bands of dark tones to evoke volume—showing a clear influence of Cezanne’s compositional style</dc:description><dc:type>Still life painting</dc:type><dc:format>Oil on wood panel (panel form)</dc:format><dc:identifier>NGS-A025</dc:identifier><dc:rights>Gifted artworks in the public collection; rights held by National Gallery Singapore under those term</dc:rights><dc:coverage>France</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/georgette-chen/p/P-0788.tif.html?search=Still%20Life%20with%20Cut%20Apple%20and%20Orange</dc:source><dc:date>c. 1928–1930</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/31</identifier><datestamp>2025-09-02T08:45:47Z</datestamp><setSpec>country:united-states</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Venus Envy</dc:title><dc:creator>Rita Mae Brown</dc:creator><dc:description>A contemporary lesbian-comedy novel about a woman artist facing a midlife and identity crisis, satirizing American society and exploring sexuality in the early 1990s.</dc:description><dc:language>English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print (Hardcover / Paperback)</dc:format><dc:identifier>ISBN 0553091999 / 9780553091991</dc:identifier><dc:rights>Rita Mae Brown / Bantam Books</dc:rights><dc:coverage>United States</dc:coverage><dc:source>https://books.google.co.th/books/about/Venus_Envy.html?id=Mgrj9L04OiQC&amp;redir_esc=y</dc:source><dc:alternative>วีนัสเอนวี่</dc:alternative><dc:date>1993 (first publication)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/35</identifier><datestamp>2025-09-03T07:09:00Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:novel-social-realism-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Judgment</dc:title><dc:creator>Chart Korbjitti</dc:creator><dc:description>A Thai social realist novel about Fak, a humble temple caretaker who is ostracized by his village after scandalous rumors. The novel critiques gossip, morality, and hypocrisy in Thai rural society. Winner of the SEA Write Award (1982).</dc:description><dc:language>Thai (later translated into English, French, Japanese)</dc:language><dc:type>Novel (Social Realism)</dc:type><dc:format>Print (Book)</dc:format><dc:identifier>ISBN 9747015966 (later reprints)</dc:identifier><dc:rights>© Chart Korbjitti</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.bannakitbook.com/product/884/the-judgment-a-thai-novel-by-chart-korpjiti-%E0%B8%84%E0%B8%B3%E0%B8%9E%E0%B8%B4%E0%B8%9E%E0%B8%B2%E0%B8%81%E0%B8%A9%E0%B8%B2-%E0%B9%82%E0%B8%94%E0%B8%A2-%E0%B8%8A%E0%B8%B2%E0%B8%95%E0%B8%B4-%E0%B8%81%E0%B8%AD%E0%B8%9A%E0%B8%88%E0%B8%B4%E0%B8%95%E0%B8%95%E0%B8%B4-%E0%B8%A7%E0%B8%A3%E0%B8%A3%E0%B8%93%E0%B8%81%E0%B8%A3%E0%B8%A3%E0%B8%A1%E0%B8%A3%E0%B8%B2%E0%B8%87%E0%B8%A7%E0%B8%B1%E0%B8%A5%E0%B8%8B%E0%B8%B5%E0%B9%84%E0%B8%A3%E0%B8%95%E0%B9%8C-%E0%B8%9E%E0%B8%B4%E0%B8%A1%E0%B8%9E%E0%B9%8C%E0%B8%A0%E0%B8%B2</dc:source><dc:alternative>คำพิพากษา</dc:alternative><dc:date>1981 (พ.ศ. 2524)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/36</identifier><datestamp>2025-09-03T07:39:05Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-satire-romantic-comedy</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Crazy Rich Asians</dc:title><dc:creator>Kevin Kwan</dc:creator><dc:description>A satirical romantic comedy novel about the lavish lifestyles of Singapore’s elite. The story follows Rachel Chu, an American-born Chinese professor, who travels to Singapore with her boyfriend Nick Young, only to discover his family’s immense wealth and complex social world. First book in the Crazy Rich Asians trilogy.</dc:description><dc:language>English</dc:language><dc:type>Novel / Satire / Romantic Comedy</dc:type><dc:format>Print (Book), eBook, Audiobook</dc:format><dc:identifier>ISBN 9780385536981 (Doubleday hardcover first edition)</dc:identifier><dc:rights>© Kevin Kwan</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/16085481-crazy-rich-asians</dc:source><dc:date>2013</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/37</identifier><datestamp>2025-09-03T07:47:56Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-satire-family-saga</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Rich People Problems</dc:title><dc:creator>Kevin Kwan</dc:creator><dc:description>The final novel in the Crazy Rich Asians trilogy. The story follows Nick Young as he returns to Singapore to visit his ailing grandmother, Su Yi, while family members vie for her fortune. Themes of inheritance, family rivalry, tradition, and identity dominate the narrative.</dc:description><dc:language>English</dc:language><dc:type>Novel / Satire / Family Saga</dc:type><dc:format>Print (Hardcover, Paperback), eBook, Audiobook</dc:format><dc:identifier>ISBN 9780385542234 (hardcover, Doubleday first edition)</dc:identifier><dc:rights>© Kevin Kwan</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/29864343-rich-people-problems</dc:source><dc:date>2017</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/30</identifier><datestamp>2025-09-04T02:15:33Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:religious-buddhist-philosophy</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Handbook for Mankind</dc:title><dc:creator>Buddhadasa Bhikkhu (พุทธทาสภิกขุ)</dc:creator><dc:description>A foundational Buddhist text presenting essential Dhamma principles for human life. It explains the Four Noble Truths, the Noble Eightfold Path, and Nibbana in clear, accessible language for both laypeople and monastics. Widely regarded as Buddhadasa’s most influential work, it has been translated into several languages.</dc:description><dc:language>Thai</dc:language><dc:type>Religious / Buddhist Philosophy</dc:type><dc:format>Print (Book), also available in PDF and audio formats</dc:format><dc:identifier>None (first edition published before ISBN system)</dc:identifier><dc:rights>© Buddhadasa Bhikkhu / Suan Mokkh</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.buddhanet.net/pdf_file/handbook.pdf</dc:source><dc:alternative>คู่มือมนุษย์</dc:alternative><dc:date>1958 (B.E. 2501)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/32</identifier><datestamp>2025-09-04T02:33:04Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:historical-fiction-novel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Si Phaendin (Four Reigns)</dc:title><dc:creator>M.R. Kukrit Pramoj</dc:creator><dc:description>A classic Thai historical novel that follows the life of Phloi, a woman who serves in the royal court, spanning the reigns of King Rama V through King Rama VIII. It reflects cultural, political, and social changes in Thailand during a transformative century. Considered a masterpiece of Thai literature.</dc:description><dc:language>Thai</dc:language><dc:type>Historical Fiction / Novel</dc:type><dc:format>Print (Book)</dc:format><dc:identifier>Not assigned in the original edition (later editions have ISBN numbers)</dc:identifier><dc:rights>© M.R. Kukrit Pramoj / Successive Thai publishers</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://digital.library.tu.ac.th/tu_dc/frontend/Info/item/dc:299797</dc:source><dc:alternative>สี่แผ่นดิน</dc:alternative><dc:date>1953 (B.E. 2496)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/33</identifier><datestamp>2025-09-04T02:54:16Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:fiction-romance-novel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Behind the Painting</dc:title><dc:creator>Sriburapha (ศรีบูรพา, pen name of Kulap Saipradit – กุหลาบ สายประดิษฐ์)</dc:creator><dc:description>A classic Thai romance novel about the forbidden love between Nopporn, a young Thai student studying in Japan, and Khunying Kirati, an older aristocratic woman. The novel portrays themes of love, duty, and social expectations, and is considered one of the greatest works of modern Thai literature.</dc:description><dc:language>English</dc:language><dc:type>Fiction / Romance Novel</dc:type><dc:format>Print / Book</dc:format><dc:identifier>No ISBN in the first edition; later reprints carry ISBNs</dc:identifier><dc:rights>© Estate of Sriburapha</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.thaibookfair.com/product/behind-the-painting-and-other-stories-%E0%B8%82%E0%B9%89%E0%B8%B2%E0%B8%87%E0%B8%AB%E0%B8%A5%E0%B8%B1%E0%B8%87%E0%B8%A0%E0%B8%B2%E0%B8%9E-%E0%B8%89%E0%B8%9A%E0%B8%B1%E0%B8%9A%E0%B8%A0%E0%B8%B2%E0%B8%A9%E0%B8%B2%E0%B8%AD%E0%B8%B1%E0%B8%87%E0%B8%81%E0%B8%A4%E0%B8%A9/11000819654000140</dc:source><dc:alternative>ข้างหลังภาพ</dc:alternative><dc:date>1937 (B.E. 2480)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/34</identifier><datestamp>2025-09-04T03:03:52Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:historical-political-fiction</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Sympathizer</dc:title><dc:creator>Viet Thanh Nguyen</dc:creator><dc:description>A Pulitzer Prize–winning spy novel that follows a North Vietnamese mole embedded in the South Vietnamese army who escapes to the United States after the fall of Saigon. It blends historical fiction, war narrative, and political satire, reflecting the Vietnam War and its aftermath from an Asian and refugee perspective.</dc:description><dc:language>English</dc:language><dc:type>Historical / Political Fiction</dc:type><dc:format>Print (Hardcover, Paperback), eBook, Audiobook</dc:format><dc:identifier>9780802123459 (Grove Press, hardcover first edition)</dc:identifier><dc:rights>© Viet Thanh Nguyen</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://www.goodreads.com/book/show/23168277-the-sympathizer?utm_source=chatgpt.com</dc:source><dc:date>2015</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/38</identifier><datestamp>2025-09-04T05:42:58Z</datestamp><setSpec>country:vietnam</setSpec><setSpec>type:historical-fiction-war-novel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Sorrow of War</dc:title><dc:creator>Bảo Ninh</dc:creator><dc:description>A groundbreaking Vietnamese war novel that follows Kien, a North Vietnamese soldier, haunted by memories of the Vietnam War. Its fragmented structure reflects trauma, memory, and love lost. Considered one of the most influential war novels of modern world literature.</dc:description><dc:language>Vietnamese (translated into English, French, Japanese, others)</dc:language><dc:type>Historical Fiction / War Novel</dc:type><dc:format>Print (Book), eBook</dc:format><dc:identifier>ISBN 1573225436 (English edition, 1993)</dc:identifier><dc:rights>© Bảo Ninh</dc:rights><dc:coverage>Vietnam</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Sorrow_of_War</dc:source><dc:alternative>Nỗi buồn chiến tranh</dc:alternative><dc:date>1990 (Vietnamese edition)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/39</identifier><datestamp>2025-09-04T05:49:51Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:feminist-literature-political-fiction</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Saman</dc:title><dc:creator>Ayu Utami</dc:creator><dc:description>A groundbreaking Indonesian feminist novel interweaving the lives of four urban women and a Catholic priest-turned-activist (Saman). Tackles issues of sexuality, politics, religion, and authoritarianism during the late Suharto era. Credited with opening the Sastra Wangi (“fragrant literature”) movement of Indonesian women writers.</dc:description><dc:language>Indonesian (translated into English, Japanese, German)</dc:language><dc:type>Feminist Literature / Political Fiction</dc:type><dc:format>Print (Book), eBook</dc:format><dc:identifier>ISBN 9799629422 (Indonesian first edition)</dc:identifier><dc:rights>© Ayu Utami</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/Saman_(novel)</dc:source><dc:alternative>Saman</dc:alternative><dc:date>1998</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/40</identifier><datestamp>2025-09-04T05:59:09Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:feminist-literature-political-fiction-magical-realism</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Larung</dc:title><dc:creator>Ayu Utami</dc:creator><dc:description>Sequel to Saman. The novel continues the intertwined stories of four urban women and Larung, a shaman-like figure who explores political and spiritual themes. It examines sexuality, mysticism, activism, and Indonesia’s struggles during the post-Suharto Reformasi period.</dc:description><dc:language>Indonesian (translated into English, German)</dc:language><dc:type>Feminist Literature / Political Fiction / Magical Realism</dc:type><dc:format>Print (Book), eBook</dc:format><dc:identifier>ISBN 9799251957 (first edition)</dc:identifier><dc:rights>© Ayu Utami</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.goodreads.com/book/show/1337751.Larung</dc:source><dc:alternative>Larung</dc:alternative><dc:date>2001</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/41</identifier><datestamp>2025-09-04T06:08:09Z</datestamp><setSpec>country:indonesia</setSpec><setSpec>type:historical-fiction-postcolonial-literature</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>This Earth of Mankind</dc:title><dc:creator>Pramoedya Ananta Toer</dc:creator><dc:description>The first novel in the Buru Quartet, written while the author was imprisoned on Buru Island. It tells the coming-of-age story of Minke, a Javanese student in colonial Indonesia, who navigates race, class, and colonial oppression. Considered one of Indonesia’s greatest modern novels.</dc:description><dc:language>Indonesian (translated into English, Dutch, German, Japanese, Thai, etc.)</dc:language><dc:type>Historical Fiction / Postcolonial Literature</dc:type><dc:format>Print (Book), eBook</dc:format><dc:identifier>ISBN 9799731205 (Indonesian edition); ISBN 0140256350 (Penguin English edition</dc:identifier><dc:rights>© Pramoedya Ananta Toer</dc:rights><dc:coverage>Indonesia</dc:coverage><dc:source>https://www.goodreads.com/book/show/301304.This_Earth_of_Mankind</dc:source><dc:alternative>Bumi Manusia</dc:alternative><dc:date>1980 (first published)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/42</identifier><datestamp>2025-09-04T06:24:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:national-bibliography-reference-database</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Singapore National Bibliography (SNB) CD-ROM 1993</dc:title><dc:creator>National Library Board, Singapore</dc:creator><dc:description>The Singapore National Bibliography (SNB) provides a comprehensive record of publications produced in Singapore. The 1993 CD-ROM edition contains bibliographic entries in machine-readable format, enabling digital search and cataloging.</dc:description><dc:language>English (records include multilingual titles in Chinese, Malay, Tamil)</dc:language><dc:type>National Bibliography / Reference Database</dc:type><dc:format>CD-ROM (ISO 9660 digital format)</dc:format><dc:identifier>ISBN 9971-88-456-3 (example placeholder, may vary by NLB catalog)</dc:identifier><dc:rights>© National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://books.google.co.id/books?id=-wooAAAAMAAJ&amp;hl=id&amp;lr=&amp;num=20&amp;source=gbs_book_other_versions_r&amp;cad=1</dc:source><dc:alternative>บรรณานุกรมแห่งชาติสิงคโปร์ (SNB) ฉบับซีดีรอม 1993</dc:alternative><dc:date>1993</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/43</identifier><datestamp>2025-09-04T06:32:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:national-bibliography-reference-database</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Singapore National Bibliography (SNB) CD-ROM 1994</dc:title><dc:creator>National Library Board, Singapore</dc:creator><dc:description>The 1994 CD-ROM edition of the Singapore National Bibliography provides a digital record of all publications issued in Singapore in that year. It includes bibliographic entries for books, serials, government documents, and local publications, stored in MARC format for library cataloguing and reference.</dc:description><dc:language>English (with bibliographic entries also in Chinese, Malay, Tamil)</dc:language><dc:type>National Bibliography / Reference Database</dc:type><dc:format>CD-ROM (ISO 9660, MARC21 records)</dc:format><dc:identifier>ISBN/ISSN varies by edition (often catalogued under ISSN for SNB series)</dc:identifier><dc:rights>© National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://books.google.co.id/books?id=-wooAAAAMAAJ&amp;hl=id&amp;lr=&amp;num=20&amp;source=gbs_book_other_versions_r&amp;cad=1</dc:source><dc:alternative>บรรณานุกรมแห่งชาติสิงคโปร์ (SNB) ฉบับซีดีรอม 1994</dc:alternative><dc:date>1994</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/44</identifier><datestamp>2025-09-04T06:49:42Z</datestamp><setSpec>country:malaysia</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Garden of Evening Mists</dc:title><dc:creator>Tan Twan Eng</dc:creator><dc:description>A historical novel about Yun Ling Teoh, a survivor of a Japanese war camp, who seeks solace and remembrance through a Japanese garden in Cameron Highlands, Malaysia. The book explores themes of memory, trauma, art, and forgiveness.</dc:description><dc:language>English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; eBook; Audiobook</dc:format><dc:identifier>ISBN 9781908436462</dc:identifier><dc:rights>© Tan Twan Eng / Publisher</dc:rights><dc:coverage>Malaysia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Garden_of_Evening_Mists</dc:source><dc:date>2011</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/45</identifier><datestamp>2025-09-04T06:56:32Z</datestamp><setSpec>country:philippines</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Woman Who Had Two Navels</dc:title><dc:creator>Nick Joaquin</dc:creator><dc:description>A landmark Filipino novel set after World War II and during the postcolonial era, exploring themes of identity, memory, colonial history, and dislocation through the story of a woman who believes she has two navels.</dc:description><dc:language>English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; later editions available in eBook</dc:format><dc:identifier>ISBN 971-10-0525-9 (Ateneo de Manila University Press edition)</dc:identifier><dc:rights>© Nick Joaquin / Ateneo de Manila University Press</dc:rights><dc:coverage>Philippines</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Woman_Who_Had_Two_Navels</dc:source><dc:date>1961</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/46</identifier><datestamp>2025-09-04T07:05:07Z</datestamp><setSpec>country:malaysia</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Gift of Rain</dc:title><dc:creator>Tan Twan Eng</dc:creator><dc:description>Set in Penang during the years leading up to and during the Japanese occupation of Malaya in World War II, the novel tells the story of Philip Hutton, of mixed Chinese-English heritage, whose relationship with a Japanese diplomat leads to questions of loyalty, identity, betrayal, and survival.</dc:description><dc:language>English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; eBook; Audiobook</dc:format><dc:identifier>ISBN 9781905802491 (Myrmidon Books first edition)</dc:identifier><dc:rights>© Tan Twan Eng / Myrmidon Books</dc:rights><dc:coverage>Malaysia</dc:coverage><dc:source>https://en.wikipedia.org/wiki/The_Gift_of_Rain</dc:source><dc:date>2007</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/47</identifier><datestamp>2025-09-04T07:13:39Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Letters from Thailand</dc:title><dc:creator>Botan (pen name of Supa Sirisingh / บุณยากร สุขุม)</dc:creator><dc:description>An epistolary novel told through letters written by a Chinese immigrant to his family back in China, depicting his struggles, cultural clashes, and adaptation to life in Thailand. The work explores themes of identity, assimilation, and prejudice.</dc:description><dc:language>Originally Thai; translated into English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; later translated editions</dc:format><dc:identifier>ISBN 9789747100385 (English edition by Silkworm Books)</dc:identifier><dc:rights>© Botan / Publisher</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.goodreads.com/book/show/234388.Letters_from_Thailand</dc:source><dc:alternative>จดหมายจากเมืองไทย</dc:alternative><dc:date>1969</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/50</identifier><datestamp>2025-09-04T07:23:29Z</datestamp><setSpec>country:laos</setSpec><setSpec>type:short-story-collection-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Mother's Beloved: Stories from Laos</dc:title><dc:creator>Outhine Bounyavong</dc:creator><dc:description>A collection of short stories from Laos portraying everyday lives, cultural values, social challenges, and personal struggles. The stories reflect compassion, resilience, Buddhist influence, and Lao cultural identity.</dc:description><dc:language>Lao (original); English (translation)</dc:language><dc:type>Short story collection (Fiction)</dc:type><dc:format>Print; eBook (English edition)</dc:format><dc:identifier>ISBN 9780295978368 (University of Washington Press)</dc:identifier><dc:rights>© Outhine Bounyavong / University of Washington Press</dc:rights><dc:coverage>Laos</dc:coverage><dc:source>https://www.goodreads.com/book/show/979303.Mother_s_Beloved</dc:source><dc:alternative>ແມ່ທີ່ຮັກ</dc:alternative><dc:date>1993</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/48</identifier><datestamp>2025-09-04T07:24:58Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>A Child of the Northeast</dc:title><dc:creator>Kampoon Boontawee (คำพูน บุญทวี)</dc:creator><dc:description>A classic Thai novel depicting the hardships of life in the Isan (Northeastern) region of Thailand. It portrays the struggles of villagers against drought, poverty, and social inequality, while also celebrating the resilience, traditions, and community spirit of rural Isan people.</dc:description><dc:language>Originally Thai; later translated into English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; later translations</dc:format><dc:identifier>ISBN 974710062X (Silkworm Books, English edition)</dc:identifier><dc:rights>© Kampoon Boontawee / Publisher</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/3220161-a-child-of-the-northeast</dc:source><dc:alternative>ลูกอีสาน</dc:alternative><dc:date>1976</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/49</identifier><datestamp>2025-09-04T07:31:18Z</datestamp><setSpec>country:thailand</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>เวลา</dc:title><dc:creator>Chart Korbjitti (ชาติ กอบจิตติ)</dc:creator><dc:description>A novel reflecting on the passage of time, aging, and the decline of human life. The narrative portrays individuals confronting mortality and the erosion of values in contemporary Thai society.</dc:description><dc:language>Thai (later translated into English)</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; translated editions</dc:format><dc:identifier>ISBN 9747100670 (Silkworm Books English edition)</dc:identifier><dc:rights>© Chart Korbjitti / Publisher</dc:rights><dc:coverage>Thailand</dc:coverage><dc:source>https://www.goodreads.com/th/book/show/12758599</dc:source><dc:alternative>เวลา</dc:alternative><dc:date>1993</dc:date></oai_dc:dc></metadata></record></ListRecords></OAI-PMH>
