<?xml version="1.0" encoding="UTF-8"?>
<OAI-PMH xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd" xmlns="http://www.openarchives.org/OAI/2.0/"><responseDate>2026-08-26T21:26:52Z</responseDate><request metadataPrefix="oai_dc" set="country:singapore" verb="ListRecords">https://glam.asiana.net/oai/</request><ListRecords><record><header><identifier>oai:glam.asiana.net:core/3</identifier><datestamp>2025-05-14T08:57:12Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title> Landscape of Vietnam</dc:title><dc:creator>Nguyen Gia Tri</dc:creator><dc:description>Paintings using lacquer and gilding techniques in the style of Vietnamese painting. Depicting the natural scenery of Vietnam</dc:description><dc:language>-</dc:language><dc:type>Painting</dc:type><dc:format> lacquer painting</dc:format><dc:identifier>NGS-A003</dc:identifier><dc:rights>National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/nguyen-gia-tri/2000/2000-05908%20(cropped).jpg.html?search=Landscape%20of%20Vietnam</dc:source><dc:alternative>Vietnamese landscape</dc:alternative><dc:date>1940</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/78</identifier><datestamp>2025-08-06T03:28:15Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:antique-collection</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Tang Shipwreck Collection</dc:title><dc:creator>Unknown</dc:creator><dc:description>A cargo recovery of some 60,000–70,000 Tang Dynasty objects including hand‑painted ceramics, gold and silver vessels, bronze mirrors, and trade goods from a 9th‑century Arab dhow wrecked off Belitung Island, Indonesia </dc:description><dc:language>Chinese (origin of items; not textual artifacts)</dc:language><dc:type>Antique collection</dc:type><dc:format>Ceramics (stoneware), gold and silver artifacts</dc:format><dc:identifier>N/A</dc:identifier><dc:rights>Public domain (ancient artifacts)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nhb.gov.sg/acm/galleries/maritime-trade/tang-shipwreck</dc:source><dc:alternative>Pottery and gold objects from a Tang Dynasty shipwreck</dc:alternative><dc:date>circa 9th century CE (Tang Dynasty, ca. 830s)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/26</identifier><datestamp>2025-08-07T06:06:31Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:book</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Gift of a Generation</dc:title><dc:creator>Singapore Memory Project</dc:creator><dc:description>A commemorative book capturing stories and photographs of hands representing personal histories of Singaporeans.</dc:description><dc:language>English</dc:language><dc:type>Book</dc:type><dc:format>Print</dc:format><dc:identifier>ISBN 9789814516563</dc:identifier><dc:rights>National Library Board Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/book-detail?cmsuuid=ef69a434-e514-4bb8-94e5-19375d3729d6</dc:source><dc:alternative>HANDS</dc:alternative><dc:date>2013</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/27</identifier><datestamp>2025-08-07T06:33:35Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:book</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Rare Materials Collection: Selections from the National Library</dc:title><dc:creator>National Library Board</dc:creator><dc:description>A curated volume showcasing selected items from the Rare Materials Collection held at the National Library Singapore. It highlights rare books, manuscripts, maps, photographs, and other historically significant documents related to Singapore and Southeast Asia.</dc:description><dc:language>English</dc:language><dc:type>Book</dc:type><dc:format>Print</dc:format><dc:identifier>ISBN 9810562225</dc:identifier><dc:rights>National Library Board</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/about-us/press-room-and-publications/Our-Bookshelf/the-rare-materials-collection</dc:source><dc:alternative>Rare Materials Collection</dc:alternative><dc:date>2006</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/29</identifier><datestamp>2025-08-08T03:58:57Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>If We Dream Too Long</dc:title><dc:creator>Goh Poh Seng</dc:creator><dc:description>Widely considered the first true Singaporean novel in English, If We Dream Too Long follows the life of Kwang Meng, a recent graduate drifting through work, relationships, and existential questions in 1970s Singapore. The novel provides deep insight into post-independence society, identity, and alienation.</dc:description><dc:language>English</dc:language><dc:type>Novel</dc:type><dc:format>Print / eBook</dc:format><dc:identifier>ISBN 9971003041</dc:identifier><dc:rights>NUS Press (latest editions)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://catalogue.nlb.gov.sg/search/card?id=d0bd29f6-3221-5f3b-97ef-9df52b6c347e&amp;entityType=FormatGroup</dc:source><dc:alternative>If We Dream Too Long</dc:alternative><dc:date>1972</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/53</identifier><datestamp>2025-08-14T03:19:11Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:daily-newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Lat Pau</dc:title><dc:creator>See Ewe Lay</dc:creator><dc:description>The first Chinese daily newspaper in Southeast Asia, Lat Pau carried local and foreign news—translated articles from Hong Kong, Shanghai, local English press—and official notices from Straits Settlements and Dutch governments. It evolved into afternoon paper and maintained a strong editorial presence backed by editor Yeh Chi‑Yun.</dc:description><dc:language>Classical Chinese (switched to Vernacular Chinese in 1925)</dc:language><dc:type>Daily newspaper</dc:type><dc:format>Print broadsheet, often single-sheet in early years</dc:format><dc:identifier>Specific issues—e.g., 1929-11-13, 1930-08-14—archived as </dc:identifier><dc:rights>Public domain (published before 100 years ago)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nlb.gov.sg/main/article-detail?cmsuuid=fe1dc6b1-3a83-4b08-9b4d-5a8759ce163f</dc:source><dc:alternative>叻報</dc:alternative><dc:date>1881</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/59</identifier><datestamp>2025-08-21T06:21:44Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:newspaper</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>The Straits Times newspaper, 1945 edition</dc:title><dc:creator>Singapore Press Holdings</dc:creator><dc:description>Singapore English-language newspaper issue covering post-World War II news, notably the Japanese surrender.</dc:description><dc:language>English</dc:language><dc:type>Newspaper</dc:type><dc:format>Print (Digitised)</dc:format><dc:identifier>https://eresources.nlb.gov.sg/newspapers/Digitised/Issue/straitstimes19450905-1.aspx</dc:identifier><dc:rights>National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.roots.gov.sg/Collection-Landing/listing/1443647</dc:source><dc:alternative>ST</dc:alternative><dc:date>5 September 1945</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/70</identifier><datestamp>2025-08-26T03:35:58Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:parliamentary-record-hansard</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Minutes of the Singapore House of Representatives Meeting, 1965  Countries: Singapore</dc:title><dc:creator>Singapore Parliament</dc:creator><dc:description>Official verbatim record of the debates and proceedings of the Singapore House of Representatives in 1965, covering policy deliberations, independence-related legislation, and state-building measures in the first year after Singapore’s separation from Malaysia.</dc:description><dc:language>English</dc:language><dc:type>Parliamentary Record / Hansard</dc:type><dc:format>Print (digitized PDF available)</dc:format><dc:identifier>SG-PARL-1965-MIN-001</dc:identifier><dc:rights>© Parliament of Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://sprs.parl.gov.sg/search/#/home</dc:source><dc:alternative>Parliamentary Debates, Singapore House of Representatives, 1965</dc:alternative><dc:date>1965-12-22 (first meeting after Singapore’s independence, Aug 1965)</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/90</identifier><datestamp>2025-08-27T03:05:36Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:jewellery-adornment</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Peranakan Gold Jewellery</dc:title><dc:creator>Peranakan master goldsmiths (often Chinese artisans trained in Straits traditions)</dc:creator><dc:description>Intricate gold jewellery including kerosang (brooch sets), hairpins, rings, and necklaces. Known for filigree, granulation, repoussé, and gemstone inlay. Worn in ceremonial attire, weddings, and social occasions.</dc:description><dc:language>Malay, Chinese (Hokkien/Baba Malay cultural context)</dc:language><dc:type>Jewellery / Adornment</dc:type><dc:format>Crafted gold, often inset with diamonds, rubies, or sapphires</dc:format><dc:identifier>SG-PERANAKAN-GOLD-0001</dc:identifier><dc:rights>© Asian Civilisations Museum, Singapore / Peranakan Museum</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nhb.gov.sg/peranakanmuseum/galleries/tpmgallerylevel-3/jewellery</dc:source><dc:alternative>Peranakan Emas Perhiasan (Malay); 珍珠娘金饰 (Chinese, Straits-born Chinese context)</dc:alternative><dc:date>ca. 1800s–early 1900s</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/8</identifier><datestamp>2025-09-01T06:25:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:abstract-modernist-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Pagoda II</dc:title><dc:creator>Latiff Mohidin</dc:creator><dc:description>An abstract oil painting featuring three stylized pagoda silhouettes inspired by Southeast Asian architectural forms. Executed with bold outlines and flat tonal blocks, this work evokes cultural universality and regional identity</dc:description><dc:type>Abstract Modernist Painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A008</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/latiff-mohidin/1995/1995-01802%20(cropped).jpg.html?search=Pagoda%20II</dc:source><dc:date>1964</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/12</identifier><datestamp>2025-09-02T01:38:00Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:ink-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Gibbons</dc:title><dc:creator>Chen Wen Hsi (1906–1991), Singaporean pioneer artist in the Nanyang style</dc:creator><dc:description>Monumental Chinese ink painting of gibbons leaping and swinging among branches. Executed with vigorous brushwork, delicate line variation, and rhythmic composition, showcasing Chen’s mastery in combining Chinese ink traditions with modern dynamism.</dc:description><dc:type>Ink painting</dc:type><dc:format>Chinese ink on paper (mounted scroll/mural)</dc:format><dc:identifier>NGS-A012</dc:identifier><dc:rights>© National Gallery Singapore / CPF (depending on commission provenance)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chen-wen-hsi/1993/1993-01382.jpg.html?search=Gibbons</dc:source><dc:alternative>Yuan (猿)</dc:alternative><dc:date>1977</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/13</identifier><datestamp>2025-09-02T01:48:09Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:calligraphic-work-couplets</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Calligraphy Couplet in Clerical Script</dc:title><dc:creator>Undated</dc:creator><dc:description>Pair of calligraphic couplets executed in fine clerical script, rendered with Chinese ink on rice paper. The work demonstrates disciplined brushwork and reflects Lim Hak Tai’s grounding in traditional Confucian refinement and self-cultivation through calligraphy</dc:description><dc:language>Chinese (clerical script)</dc:language><dc:type>Calligraphic work – Couplets</dc:type><dc:format>Ink on rice paper (hanging scrolls)</dc:format><dc:identifier>NGS‑A013</dc:identifier><dc:rights>© National Gallery Singapore (collection holder)</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/lim-hak-tai/2015/2015-00586(1).tif.html</dc:source><dc:date>Lim Hak Tai (1893–1963), founding principal of Nanyang Academy of Fine Arts (NAFA) and esteemed art educato</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/14</identifier><datestamp>2025-09-02T01:58:22Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:modern-ink-painting-figurative-expression</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Han Acrobatics</dc:title><dc:creator>Tan Oe Pang (Singaporean ink artist)</dc:creator><dc:description>A solo acrobat twists mid-air across a paper surface. The composition uses bold, decisive brush lines to define the figure, complemented by soft ink smudges trailing behind and accents of ochre/red to emphasize movement and masculinity—bridging traditional ink painting with surrealist expression</dc:description><dc:type>Modern ink painting / figurative expression</dc:type><dc:format>Chinese ink and colour on paper</dc:format><dc:identifier>NGS‑A014</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/tan-oe-pang/2015/2015-00409.jpg.html?search=Han%20Acrobatics</dc:source><dc:date>1983</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/15</identifier><datestamp>2025-09-02T02:08:51Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:botanical-ink-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Plum Blossoms of Longevity</dc:title><dc:creator>Yan Yiyuan</dc:creator><dc:description>A masterful Chinese ink on paper painting depicting elegant plum blossoms evocative of longevity and enduring vitality—an enduring symbol in East Asian culture</dc:description><dc:type>Botanical Ink Painting</dc:type><dc:format>Chinese ink on paper</dc:format><dc:identifier>NGS‑A015</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/khoo-seok-wan/2022/2022-00468.tif.html?search=Plum%20Blossoms%20of%20Longevity</dc:source><dc:date>1924</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/16</identifier><datestamp>2025-09-02T02:17:59Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:landscape-figurative-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Life by the River</dc:title><dc:creator>Liu Kang (1911–2004), founding figure of Nanyang style in Singapore</dc:creator><dc:description>Oil on canvas depicting a vibrant kampong riverside scene—figures feeding ducks, bathing, in a lush tropical village. Highlights communal life with stylized outlines and vivid, Fauvist-inspired colors</dc:description><dc:language>-</dc:language><dc:type>Landscape / Figurative painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A016</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/liu-kang/p/P-0521%20(cropped)(1).jpg.html?search=Life%20by%20the%20River</dc:source><dc:alternative>-</dc:alternative><dc:date>1975</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/17</identifier><datestamp>2025-09-02T05:16:06Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:self-portrait-painting-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Self Portrait</dc:title><dc:creator>Georgette Chen (1906–1993), pioneering artist of the Nanyang style</dc:creator><dc:description>A contemplative oil-on-canvas self-portrait capturing Chen’s poised gaze and refined brushwork. The post-impressionist style reflects her training and cosmopolitan artistic journey</dc:description><dc:type>Self-Portrait (painting)</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A017</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/georgette-chen/1994/1994-04108(1).tif.html?search=Self%20Portrait</dc:source><dc:date>circa 1934</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/18</identifier><datestamp>2025-09-02T05:25:31Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:figurative-painting-genre-scene-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Here they come!</dc:title><dc:creator>Koeh Sia Yong (born 1938)</dc:creator><dc:description>A dynamic oil on canvas capturing itinerant hawkers quickly gathering their stalls—likely in response to an impending arrival of authorities. The figures are rendered with expressive brushwork that conveys both realism and urgency of everyday life in mid-1960s Singapore</dc:description><dc:type>Figurative painting (genre scene)</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A018</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/koeh-sia-yong/2002/2002-00423%20(cropped).jpg.html?search=Here%20they%20come!</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/19</identifier><datestamp>2025-09-02T05:33:56Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:batik-textile-artwork</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Voices of the Soul</dc:title><dc:creator>Sarkasi “Tzee” Said, prominent Singaporean batik artist known for pioneering wax-resist techniques</dc:creator><dc:description>A vibrant batik work utilizing expressive wax-resist patterns and rich, organic motifs—a hallmark of Sarkasi’s abstract batik style reflecting emotion and movement.</dc:description><dc:type>Batik textile artwork</dc:type><dc:format>Batik (wax-resist dye on fabric)</dc:format><dc:identifier>NGS‑A019</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/sarkasi-tzee-said/1996/1996-00222.tif.html?search=Voices%20of%20the%20Soul</dc:source><dc:date>Undated</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/20</identifier><datestamp>2025-09-02T05:44:03Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:social-realist-nationalist-figurative-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>National Language Class</dc:title><dc:creator>Chua Mia Tee (b. 1931), a leading Singaporean social realist painter</dc:creator><dc:description>Oil on canvas showing Chinese students seated around a round table—symbolizing equality—learning Malay (“Se‑i‑pa nama kamu? Di‑mana awak tinggal?”: “What is your name? Where do you live?”), indicating the rise of Malay as national language and post‑colonial identity formation</dc:description><dc:type>Social realist / nationalist figurative painting</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS‑A020</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chua-mia-tee/p/P-0145_N(20150413).tif.html?search=National%20Language%20Class</dc:source><dc:date>1959</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/22</identifier><datestamp>2025-09-02T07:29:13Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:social-realist-figurative-genre-painting</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Labourer (Lunch Break)</dc:title><dc:creator>Lai Foong Moi (first Malaya-born female solo exhibitor in Singapore’s postcolonial art scene</dc:creator><dc:description>Oil on canvas depicting a male labourer in repose during a lunch break, with a Samsui woman quietly eating in the background. It captures a candid moment of worker-rest and hints at social hierarchies and migrant labour identities.</dc:description><dc:type>Social realist / figurative genre painting</dc:type><dc:format>Oil paint on canvas</dc:format><dc:identifier>NGS‑A022</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/lai-foong-moi/1997/1997-02952(1).jpg.html?search=Labourer%20(Lunch%20Break)</dc:source><dc:date>1965</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/24</identifier><datestamp>2025-09-02T07:49:48Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:figurative-painting-with-cubist-and-expressionist-undertones</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Two Figures</dc:title><dc:creator>Chen Wen Hsi (1906–1991), a leading figure in the Nanyang art movement known for blending Chinese ink traditions with Western modernism</dc:creator><dc:description>The painting uses vibrant, exaggerated colors and faceted forms to evoke tropical light and intensity; its cropped composition imparts immediacy. The angular treatment of figures underscores their rugged, everyday character</dc:description><dc:type>Figurative painting with cubist and expressionist undertones</dc:type><dc:format>Oil on canvas</dc:format><dc:identifier>NGS-A024</dc:identifier><dc:rights>© National Gallery Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.nationalgallery.sg/sg/en/our-collections/search-collection.artwork.html/national-collection/chen-wen-hsi/2002/2002-00414%20(cropped).jpg.html?search=Two%20Figures</dc:source><dc:date>1950s</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/36</identifier><datestamp>2025-09-03T07:39:05Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-satire-romantic-comedy</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Crazy Rich Asians</dc:title><dc:creator>Kevin Kwan</dc:creator><dc:description>A satirical romantic comedy novel about the lavish lifestyles of Singapore’s elite. The story follows Rachel Chu, an American-born Chinese professor, who travels to Singapore with her boyfriend Nick Young, only to discover his family’s immense wealth and complex social world. First book in the Crazy Rich Asians trilogy.</dc:description><dc:language>English</dc:language><dc:type>Novel / Satire / Romantic Comedy</dc:type><dc:format>Print (Book), eBook, Audiobook</dc:format><dc:identifier>ISBN 9780385536981 (Doubleday hardcover first edition)</dc:identifier><dc:rights>© Kevin Kwan</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/16085481-crazy-rich-asians</dc:source><dc:date>2013</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/37</identifier><datestamp>2025-09-03T07:47:56Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-satire-family-saga</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Rich People Problems</dc:title><dc:creator>Kevin Kwan</dc:creator><dc:description>The final novel in the Crazy Rich Asians trilogy. The story follows Nick Young as he returns to Singapore to visit his ailing grandmother, Su Yi, while family members vie for her fortune. Themes of inheritance, family rivalry, tradition, and identity dominate the narrative.</dc:description><dc:language>English</dc:language><dc:type>Novel / Satire / Family Saga</dc:type><dc:format>Print (Hardcover, Paperback), eBook, Audiobook</dc:format><dc:identifier>ISBN 9780385542234 (hardcover, Doubleday first edition)</dc:identifier><dc:rights>© Kevin Kwan</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/29864343-rich-people-problems</dc:source><dc:date>2017</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/42</identifier><datestamp>2025-09-04T06:24:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:national-bibliography-reference-database</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Singapore National Bibliography (SNB) CD-ROM 1993</dc:title><dc:creator>National Library Board, Singapore</dc:creator><dc:description>The Singapore National Bibliography (SNB) provides a comprehensive record of publications produced in Singapore. The 1993 CD-ROM edition contains bibliographic entries in machine-readable format, enabling digital search and cataloging.</dc:description><dc:language>English (records include multilingual titles in Chinese, Malay, Tamil)</dc:language><dc:type>National Bibliography / Reference Database</dc:type><dc:format>CD-ROM (ISO 9660 digital format)</dc:format><dc:identifier>ISBN 9971-88-456-3 (example placeholder, may vary by NLB catalog)</dc:identifier><dc:rights>© National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://books.google.co.id/books?id=-wooAAAAMAAJ&amp;hl=id&amp;lr=&amp;num=20&amp;source=gbs_book_other_versions_r&amp;cad=1</dc:source><dc:alternative>บรรณานุกรมแห่งชาติสิงคโปร์ (SNB) ฉบับซีดีรอม 1993</dc:alternative><dc:date>1993</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/43</identifier><datestamp>2025-09-04T06:32:40Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:national-bibliography-reference-database</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Singapore National Bibliography (SNB) CD-ROM 1994</dc:title><dc:creator>National Library Board, Singapore</dc:creator><dc:description>The 1994 CD-ROM edition of the Singapore National Bibliography provides a digital record of all publications issued in Singapore in that year. It includes bibliographic entries for books, serials, government documents, and local publications, stored in MARC format for library cataloguing and reference.</dc:description><dc:language>English (with bibliographic entries also in Chinese, Malay, Tamil)</dc:language><dc:type>National Bibliography / Reference Database</dc:type><dc:format>CD-ROM (ISO 9660, MARC21 records)</dc:format><dc:identifier>ISBN/ISSN varies by edition (often catalogued under ISSN for SNB series)</dc:identifier><dc:rights>© National Library Board, Singapore</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://books.google.co.id/books?id=-wooAAAAMAAJ&amp;hl=id&amp;lr=&amp;num=20&amp;source=gbs_book_other_versions_r&amp;cad=1</dc:source><dc:alternative>บรรณานุกรมแห่งชาติสิงคโปร์ (SNB) ฉบับซีดีรอม 1994</dc:alternative><dc:date>1994</dc:date></oai_dc:dc></metadata></record><record><header><identifier>oai:glam.asiana.net:core/48</identifier><datestamp>2025-09-04T07:24:58Z</datestamp><setSpec>country:singapore</setSpec><setSpec>type:novel-fiction-</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>A Child of the Northeast</dc:title><dc:creator>Kampoon Boontawee (คำพูน บุญทวี)</dc:creator><dc:description>A classic Thai novel depicting the hardships of life in the Isan (Northeastern) region of Thailand. It portrays the struggles of villagers against drought, poverty, and social inequality, while also celebrating the resilience, traditions, and community spirit of rural Isan people.</dc:description><dc:language>Originally Thai; later translated into English</dc:language><dc:type>Novel (Fiction)</dc:type><dc:format>Print; later translations</dc:format><dc:identifier>ISBN 974710062X (Silkworm Books, English edition)</dc:identifier><dc:rights>© Kampoon Boontawee / Publisher</dc:rights><dc:coverage>Singapore</dc:coverage><dc:source>https://www.goodreads.com/book/show/3220161-a-child-of-the-northeast</dc:source><dc:alternative>ลูกอีสาน</dc:alternative><dc:date>1976</dc:date></oai_dc:dc></metadata></record></ListRecords></OAI-PMH>
